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Better Way of Learning About Film Course in the Auckland Weekend Film School

Have you ever heard about film schools or courses for film making and such things that are related to the film industry? Have you realized how the things possible in the movies that you are watching?

There are lot of questions that people asks about film making but some people don’t have and idea about the questions that they are asked. But the truth is the answers are just easy as long as You Have knowledge in film making and in the film industry. Film industry is a huge company that is still emerging and will still be one of the most earning companies in the world. So who would not be tempted to work in the film industry if you will have a great fortune and fame as they enter the movie world.

But entering that kind of job will not be easy because as it is mentioned one should have a great knowledge in film making first, so the first step is to have a film course that will help you to have the knowledge that you want.

Film course are almost the same with the other course because student will have to go to the school and study but there is a slight difference with the learning type because in the Auckland Weekend School which is located in New Zealand, is that the school is only giving a weekend of training or schooling for the student. The student will also have a good learning in the field of films because they will be focused one by one by the mentor and they will experience a hands-on learning on the equipments that will be used. With that type of learning the school is only admitting small numbers of student so that the teacher can focus on each of the students.

The other courses for film making may be differ a little because of some of the other school have different teaching method for the course and some may take years before one can finish the whole course. So if you are going to compare the Auckland School to the other schools it is more convenient to enter to this type of school because students will learn in just two days. And if you doubt about the diploma on the school, the Auckland School will give the student a certificate with authorized signature of the school management and the Department of Education proving that they finished a course with the Auckland School.

The conclusion to this is that the Auckland School is a best way to learn the film making techniques and procedures in short time and less money to spend and after which the student then can work which is related to the film making or even in the big film industry that dream upon. And if the students are looking for the typical school where they will study the course for four years, which will be up to them to choose and the purpose of this article is to give advice to the aspiring film maker the better way of learning about film making.

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A Short Guide to Writing about Film


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This best-selling text is a succinct guide to thinking critically and writing precisely about film. With numerous student and professional examples along the way, this engaging and practical guide progresses from taking notes and writing first drafts to creating polished essays and comprehensive research projects. Moving from movie reviews to theoretical and critical essays, the text demonstrates how an analysis of a film becomes more subtle and rigorous as part of a compositional process. Both an introduction to film study and a practical writing guide, this brief text introduces students to film terms and the major film theories to enable them to write more critically. For individuals who want to think and write critically about film.

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Critical Approaches to Writing about Film


Critical Approaches to Writing about Film


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This book explains how to prepare for and write various types of critical pieces on film. It distinguishes the four main critical formats of writing about film–the review, the critique, the comparative analysis and the documented research paper–from each other (why, when, and how to use each and the different aspects within each). The book provides theory, discussion, component examples and full samples of all formats discussed. The book also provides exercises and strategies to prepare the critic to watch the film and write a first draft. B> preparation for and the process of film criticism, style and structure in film criticism, the review, the analytical critique, the comparative analysis, the documented research paper, primary and secondary sources of works guidelines and an index of names and titles. For anyone interested in critiquing films for personal interest or professional writing.

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Part of the Elements of Composition Series.

Short Guide to Writing about Film


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In the first guide devoted exclusively to writing about the movies, Corrigan explains every step in the process: taking notes on a movie, making an outline, finding and researching a topic, integrating technical details into an analysis, and revising for sharper style.

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The movie theater has always been a place where people come together to share powerful emotional experiences, from the fear generated by horror films and the anxiety induced by thrillers to the laughter elicited by screwball comedies and the tears precipitated by melodramas. Indeed, the dependability of movies to provide such experiences lies at the center of the medium’s appeal and power. Yet cinema’s ability to influence, even manipulate, the emotions of the spectator is one of the least-explored topics in film theory today. In Passionate Views, thirteen internationally recognized scholars of film studies, philosophy, and psychology explore the emotional appeal of the cinema. Employing a novel cognitive perspective, the volume investigates the relationship between genre and emotion; explores how film narrative, music, and cinematic techniques such as the close-up are used to elicit emotion; and examines the spectator’s identification with and response to film characters. An impressive range of films and topics is brought together by Carl Plantinga and Greg M. Smith, including: the success of Stella Dallas and An Affair to Remember as tearjerkers; the power of Night of the Living Dead to inspire fear and disgust; the sublime evoked in The Passion of Joan of Arc, Aguirre, the Wrath of God, and The Children of Paradise; the emotional basis of film comedy as seen in When Harry Met Sally; the use of cinematic cues in Raiders of the Lost Ark and Local Hero to arouse emotions; the relationship between narrative flow and emotion in Once Upon a Time in the West and E.T.; the emotive use of music in The Elephant Man and A Clockwork Orange; Stranger than Paradise’s sense of timing; desire and resolution in Casablanca; audience identification with the main characters in Groundhog Day and The Crying Game; portrayal of perversity in The Silence of the Lambs, Flaming Creatures, and Shivers; and empathy elicited through closeups of actors’ faces in Yankee Doodle Dandy and Blade Runner. Passionate Views offers a new approach to our understanding of film and will be of interest to anyone fascinated by the emotional power of motion pictures and their relationship to the central concerns of our lives, as well as by the techniques filmmakers use to move an audience.

Film Facts


Film Facts


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Film Facts is a treasure trove of the curious, the humorous, the unexpected, the mind-boggling, and the unimportant-but-interesting. It provides the real answers to every imaginable question any film fan might have about movies, stars, producers, directors–anything anyone would ever want to know or wouldn’t have imagined to ask Jam-packed with tasty tidbits and provocative paragraphs about the biggest, the smallest, the best, the worst, the longest, and the latest, Film Facts (previously known in earlier editions as "The Guinness Book of Film Facts and Feats") includes information from 67 countries throughout the world. Divided into such categories as "Box Office and Budgets," "Character and Themes," "Film-making and Film-makers," and "Censorship," and sprinkled with 75 fantastic images, this is the ultimate compendium of movie lore. For all film fans, Film Facts is sheer, unadulterated heaven

The Analysis of Film


The Analysis of Film


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"No serious student of film should miss the great work collected in this volume." — W. A. Vincent, Choice "When so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour’s ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars." — Peter Wollen, Bookforum The Analysis of Film brings together Raymonds Bellour’s now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock’s work — The Birds, Marnie, Psycho, North by Northwest — and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century. Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, "the analysis of film." The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith’s The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginnings of cinema.

Film and the Emotions


Film and the Emotions


$40.67


Film and the Emotions explores the complicated relationship between filmed entertainment, such as movies and television shows, and our capacity to feel emotions. This volume of "The Midwest Studies in Philosophy" covers topics such as the role of imagination in our capacity to respond emotionally to films, how emotions felt in response to films relate to emotions felt about real events, and the moral implications of responding emotionally to fictions, among others. This collection includes nineteen original articles from experts on film and emotion, including Noel Carroll, Gregory Currie, Susan Feagin, Stacie Friend, Robert Hopkins, Peter Lamarque and Peter Goldie, Derek Matravers, Carl Plantinga, and Murray Smith.

The Remembered Film


The Remembered Film


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Most books about cinema, whether popular or academic, concentrate on what we might call the "inside" of the film: from star performances to narrative structures. The relatively few books about the "outside" of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. "The Remembered Film" is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidoscope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such "sequence-images," as Burgin calls them, are neither strictly "image" nor "image sequence" and have not been considered before by either film or photography theory. He also considers some typical individual experiences "sampled" from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling "marked" by an image remembered from a film. "The Remembered Film" provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.

Film Music


Film Music


$12.4


Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino’s Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers–Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few–come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life’s most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

The Film Club


The Film Club


$3.95


"I loved David Gilmour’s sleek, potent little memoir, The Film Club. It’s so, so wise in the ways of fathers and sons, of movies and movie-goers, of love and loss." — Richard Russo, Pulitzer Prize winning author of Empire Falls "If all sons had dads like David Gilmour, then Oedipus would be a forgotten legend and Father’s Day would be a worldwide film festival." –Sean Wilsey, author of Oh the Glory of It All "David Gilmour is a very unlikely moral guidance counselor: he’s broke, more or less unemployed and has two children by two different women. Yet when it looks as though his teenage son is about to go off the rails, he reaches out to him through the only subject he knows anything about: the movies. The result is an object lesson in how fathers should talk to their sons." –Toby Young, author of How to Lose Friends & Alienate People At the start of this brilliantly unconventional family memoir, David Gilmour is an unemployed movie critic trying to convince his fifteen-year-old son Jesse to do his homework. When he realizes Jesse is beginning to view learning as a loathsome chore, he offers his son an unconventional deal: Jesse could drop out of school, not work, not pay rent – but he must watch three movies a week of his father’s choosing. Week by week, side by side, father and son watched everything from "True Romance" to "Rosemary’s Baby" to "Showgirls," and films by Akira Kurosawa, Martin Scorsese, Brian DePalma, Billy Wilder, among others. The movies got them talking about Jesse’s life and his own romantic dramas, with mercurial girlfriends, heart-wrenching breakups, and the kind of obsessive yearning usually seen only in movies. Through their film club, father and son discussed girls, music, work, drugs, money, love, and friendship – and their own lives changed in surprising ways.

Feminism and Film


Feminism and Film


$3.95


Feminist theory has been at the forefront of critical analysis for more than two decades. With dazzling insight, Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses. Feminism and Film is the first book to apply such a broad range of theory to contemporary film.Humm begins with an in-depth historical survey of contemporary feminist theory, visual aesthetics and film theory, with a particular focus on the work of Laura Mulvey, Annette Kuhn, E. Ann Kaplan and bell hooks. Subsequent chapters examine the most pressing questions posed by feminism about reproduction, pornography and the gaze, autobiography and literary theory, postmodernism, Black feminism and "the personal is political" in relation to a variety of mainstream and independent films, including Klute, Dead Ringers, A Question of Silence, Orlando and Daughters of the Dust.

Disaster on Film


Disaster on Film


$16.95


Step behind the scenes of Hollywood’s major disaster films, past and present, for a look at the making of one of films most successful and longest running genres. From the earliest days of film to recent box off smash hits, disaster films have been a staple of the motion picture industry. Now get a glimpse behind the silver screen at the making of classics like Towering Inferno, Poseidon Adventure, Airport, Titanic, Dante’s Peak, Earthquake, Armageddon, Volcano, Meteor, Earthquake and more. Full of photos and stories from behind the movies, the book looks across the genre at the all-star casts, expensive budgets, fantastic stories, special effects and the box office dollars to give readers a real look at what the big-budget disaster movie was all about.

The South and Film


The South and Film


$33.33


Will the South rise again–this time cinematically? The answer to this question is among the subjects considered in this collection of essays. Though the South has provided the setting for outstanding and controversial films such as "Gone With the Wind" and "The Birth of a Nation, " these did not foster a genre of imitative films, and there never was a "Southern" as there was a "Western." This may have changed, however, in 1969-70 with the appearance of a film that suggested a set of stereotypes particularly congenial to films with southern settings. In "Easy Rider," the characters departed not for the West on horseback but for the South on motorcycles, carrying with them the seeds of their own destruction, and since then the only credible films about the West have been parodies. Following "Easy Rider, " there have been several "gasoline operas," and the South has been prominently featured in them. These attempts to create a Southern film genre and the fascinating question of how long it can be maintained is the focus of four of the essays in this collection. In addition, there are provocative reconsiderations of the Southern film classics "Gone With the Wind, The Birth of a Nation, Jezebel, " and "The Southerner." Another group of essays looks at the "vision" of the South projected in the works of three renowned auteurs–John Ford, Robert Altman, and Martin Ritt. Any discussions about the South and film would be incomplete without a consideration of the importance of female characters and the relation of film to the works of William Faulkner, and these are the subjects of two groups of essays. The final section of essays focuses on the problems of capturing on film the unique qualities of a region and on the perils and pleasures of the search for authenticity when shooting in regional locations. These essays, which introduce a vast subject, were included in the Spring/Summer 1981 issue of "The Southern Quarterly: A Journal of the Arts in the South."

Ethnographic Film


Ethnographic Film


$23.94


From reviews of the first edition: "Ethnographic Film can rightly be considered a film primer for anthropologists." — Choice "This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it." — Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers– Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.

Medieval Film


Medieval Film


$28.39


This book explores theoretical questions about the ideological, artistic, emotional, and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a "medieval film"? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies, and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish, and American film, exploring topics such translation, temporality, film noir, framing, and period film, and find the medieval lurking in unexpected corners. In addition, it provides in-depth studies of individual films from different countries including "The Birth of a Nation" to "Nosferatu," and "Robin Hood: Prince of Thieves." "Medieval Film" will be of interest to medievalists working in disciplines including literature, history, and art history, and to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates, and to an informed enthusiast in film and/or medieval culture.

Aesthetics of Film


Aesthetics of Film


$33.22


A concise, lively, and readable summary of classical and contemporary film theory, Aesthetics of Film is the work of experts who are defining the parameters of film criticism internationally. First published in French (L’Esthetique du film) in 1983, the book provides an essential introduction to all major areas of film study, including semiotics, narratology, psychoanalysis as a part of film theory, and the theory of spectatorship. Because current film criticism is part of a historical debate about the role of cinema in society, the authors probe the contributions of significant film theorists of the past. They consider the earliest writings of Munsterberg, Balazs, and Eisenstein, move on to Bazin, the Filmologists, and Mitry, and address the linguistic, semiotic, and psychoanalytic contributions offered by Barthes, Metz, and many of their contemporaries. The chapters include "Film as Audiovisual Representation," "Montage," "Cinema and Narration," "Cinema and Language," and "Film and its Spectator." With numerous references to specific films and many black-and-white stills, the book will be useful for both beginning film students and advanced scholars who need a summary of the major stages in the development of film theory and aesthetics.

Film Comedy


Film Comedy


$6.9


What exactly is film comedy and what is the basis for its widespread appeal? "Film Comedy" uses formal, socio-historical and industrial perspectives to answer this question. What, for example, is the basis of the appeal of gross-out comedy in films such as "There’s Something About Mary" and "American Pie"? What is the relationship between comedy and narrative, from early silent slapstick to the performance of actors such as Steve Martin and Jim Carrey? How has romantic comedy changed, or remained the same, from the 1930s to today? What happens when comedy is put to more serious ends in satire ranging from works produced under communism in Eastern Europe and Cuba to Hollywood features such as "Bullworth" and "Wag the Dog"? To what extent is comedy nation-specific? And what is the role of comic relief in Hollywood action movies and black comedy such as "American Psycho" and "Man Bites Dog."

Toronto on Film


Toronto on Film


$16.77


No Canadian city has been exposed, cinematically speaking, more often than Toronto. In the century since cinema began, countless hundreds of kilometres of film have recorded the growth and dramatic development of one of North America’s most dynamic urban environments. Today, more film is shot in Canada’s largest city than almost anywhere on the continent outside of Los Angeles and New York. This is a book about Toronto’s motion picture history–not a history of the city or its industry but of the city as it has appeared on screen: Toronto as a moving image, from the first documentary films of an apocalyptic conflagration of the city’s downtown core to the high-stepping, multicultural musical exuberance of "Bollywood/ Hollywood. And, just like the real city, the reel city of Toronto is a place of fascinating complexity, rich contradiction, and radical transformation. You can fly there–as in "I’ve Heard the Mermaids Singing–but you can also "Crash.Toronto on Film is a fascinating account of a city screened. What kind of city is Toronto the Movie? How has the city changed, and what does this reveal of a place’s dreams, fears, and hopes? And what relationship does the real place have to its motion picture ideal? Rich in images, "Toronto on Film is a vibrant biography of a city as interpreted through the camera lens.

Film Adaptation


Film Adaptation


$33.91


Some of the earliest feature films were derived from classic literature. Even today, most of the movies we see are adaptations of one kind or another. People who have never read Jane Austen can see her characters on the screen; but filmgoers can also see material taken from theater, television, comic books, and every other medium. The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the films described as adaptions seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told? Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore’s introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact.

The Horror Film


The Horror Film


$75.98


"The Horror Film" celebrates well-known horror films and introduces the reader to examples of noteworthy, but more obscure, horror work. Written in an accessible and lively style, this comprehensive volume also includes lesser-known films that are significant within the genre, but often ignored by other authors. Explores the horror film audience and psychological approaches to these films. Examines the 1970s, the golden age of horror, and delves into slashers and post-slashers: from "Halloween" to "Scream" and beyond. "The Horror Film" is an in-depth celebration of one of the most consistently popular, but also most disreputable, of all mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticized, censored, or banned. "The Horror Film" engages with the key issues raised by this most contentious of genres. It considers the reason of horror ‘disrepute’ and seeks to explain why, despite this, horror has been so successful. The author examines what it is about horror that makes the genre so difficult to define and maps out the development of the horror genre with reference to films made in the U.S., Britain, Italy, and Spain. "The Horror Film" throws new light on some well-known horror films but also looks at noteworthy, but obscure, horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, this is a lively and informative account of the genre that will appeal to movie fans, film students, researchers, and horror lovers everywhere. Peter Hutchings is a senior lecturer in Film Studies at Northumbria University.

Film Strip


Film Strip


$3.95


Exotic dancer Sierra Lavotini’s latest brainstorm to help the Tiffany Gentleman’s Club turn a profit is a disaster. Sierra, headliner for the classiest strip joint in Panama City, Florida, and the club’s owner, Vincent Gambuzzo, invited a gallery of porn actresses to guest star on the Tiffany stage. It’s a gutsy plan, considering that most of these silicone-enhanced creatures don’t have much in the way of true talent. As Sierra likes to say, at the Tiffany dancing consists of more than T&A working a pole. Still, under Sierra’s firm guidance, the venture seems to be raking in the cash. At least until a sniper begins taking exception-starting with Venus, who is shot and killed. Sierra takes a bullet in the, ahem, posterior region during the attack, and would like nothing more than to forget about the whole thing and convalesce with the help of her on-again boyfriend, Homicide Detective John Nailor. But when the investigation hones in on Marla, another Tiffany girl, Sierra is forced to focus her energy on finding the real killer. No small task, considering the interest of the local "organization" in the situation, even once Sierra enlists the help of her landlady Pat; Raydean, her psychotic neighbor; and her oldest brother Francis. Steamy romance, intrigue, laugh-out-loud humor, mob bosses, and Sierra’s overprotective Italian family-it’s all here in Nancy Bartholomew’s latest hilarious tale.

About a Boy


About a Boy


$18.09


New in the acclaimed series–the new film starring Hugh Grant and Toni Collette, adapted from the acclaimed novel by Nick Hornby ("High Fidelity"). Coming from Universal Pictures in April 2002, produced by Tribeca Productions and Working Title Films. Based on Nick Hornby’s popular novel, "About A Boy" is a comedy-drama starring Hugh Grant as Will, a rich, child-free and irresponsible Londoner in his thirties who, in search of available women, invents an imaginary son and starts attending single parent meetings. As a result of one of his liaisons, he meets Marcus, an odd 12-year-old boy with problems at school. Gradually, Will and Marcus become friends, and as Will teaches Marcus how to be a cool kid, Marcus helps Will to finally grow up. The cast also includes Toni Collette ("Sixth Sense," "Shaft"), Rachel Weisz ("The Mummy Returns," "Sunshine"), and Nicholas Hoult. 20 b/w photos.

Film School :  How to Watch DVDs and Learn Everything about Filmmaking


Film School : How to Watch DVDs and Learn Everything about Filmmaking


$21.7


Buy Film School by Richard D. Pepperman in Paperback for the low price of 21.70. Find this product in Performing Arts > Film & Video – Reference.

Windtalkers :  The Making of the Film about the Navajo Code Talkers of World War II


Windtalkers : The Making of the Film about the Navajo Code Talkers of World War II


$19.95


Buy Windtalkers by John Woo in Paperback for the low price of 19.95. Find this product in Performing Arts > Film & Video – History & Criticism, Film & Video – Guides & Reviews.

My First Movie :  Twenty Celebrated Directors Talk about Their First Film


My First Movie : Twenty Celebrated Directors Talk about Their First Film


$12.14


Buy My First Movie by Stephen Lowenstein in Paperback for the low price of 12.14. Find this product in Performing Arts > Film & Video – Direction & Production.

Man About Town in Evening Dress: the Film Actor, Einar Hanson


Man About Town in Evening Dress: the Film Actor, Einar Hanson


$32.99


Man About Town in Evening Dress: the Film Actor, Einar Hanson Photographic Print by . Product size approximately 18 x 24 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.

My First Movie: Twenty Celebrated Directors Talk about Their First Film


My First Movie: Twenty Celebrated Directors Talk about Their First Film


$15.39


In these vivid and revealing interviews, a diverse collection of filmmakers talk in extraordinary detail and with amazing candor about making their first films. Each chapter focuses on a director’s celebrated debut and tells the inside story of the film’s creation. Along the way, every aspect of the movie industry is explored-from writing the script and raising the money to casting the actors and assembling the crew, from shooting and editing to selling the movie and screening it. These interviews are not only memoirs of particular movies; each one is also an emotional journey in which the director relives the pain and elation, the comedy and tragedy, of making a first feature film.

Windtalkers: The Making of the Film about the Navajo Code Talkers of World War II


Windtalkers: The Making of the Film about the Navajo Code Talkers of World War II


$3.95


With more than 100 dramatic movie and historical photos, the official tie-in to the film starring Nicolas Cage, based on real events about the Navajo Marine code talkers, who developed the only American code the Japanese never cracked–from MGM in June 2002. In the first movie made on the subject, director John Woo ("Mission: Impossible 2," "Face/Off") reveals the invaluable actions of the Navajo code talkers during the war in the Pacific, heroes whose bravery earned them the Congressional Medal of Honor. The code talkers transmitted radio messages using a secret, efficient, unbreakable code based on their native language. The film’s gripping climax takes place during the Battle of Saipan, when the Marines, fighting off the Japanese, must risk their lives to safeguard the code. This full-color companion book tells the fascinating story behind the movie–from facts about the code’s creation to historical background of the Navajo nation; from a glimpse into the rigorous code talker training program to production details about transforming a Hawaiian landscape into a Saipan battlefront. The pages are filled with captivating color images from the film and historic photographs from the U.S. Marines and the National Archives, as well personal reflections by Woo and Senator Jeff Bingaman, screenwriters, producers, and actors–plus samples and translations of the Navajo code. Approx. 100 color photos.

Penelope Cruz at Film Premiere of Her All About My Mother


Penelope Cruz at Film Premiere of Her All About My Mother


$109.99


Penelope Cruz at Film Premiere of Her All About My Mother Premium Photographic Print by Mirek Towski. Product size approximately 18 x 24 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.

Two Parties, One Tux, and a Very Short Film about the Grapes of Wrath


Two Parties, One Tux, and a Very Short Film about the Grapes of Wrath


$7.99


Buy Two Parties, One Tux, and a Very Short Film about the Grapes of Wrath by Steven Goldman in Paperback for the low price of 7.99. Find this product in Juvenile Fiction > Humorous Stories, Social Issues – Adolescence.

On Brokeback Mountain: Meditations about Masculinity, Fear, and Love in the Story and the Film


On Brokeback Mountain: Meditations about Masculinity, Fear, and Love in the Story and the Film


$58.59


On Brokeback Mountain: Meditations About Masculinity, Fear, and Love in the Story and the Film provides a close, detailed, comparative discussion of the short story and the film in relation to ways of understanding masculinity and love between men in American culture. It uses analytical ideas from gay and lesbian/queer studies, American studies, social history, film history, and literary history, but avoids specialized theoretical language in order to be accessible to the many people interested in the story and the film. Original, interdisciplinary, and engaging, On Brokeback Mountain is intended to be not only useful to academic specialists but also accessible and readable for any interested, educated reader. The two versions of Brokeback Mountain are significant for taking readers and audiences inside the perspectives of men who love men, showing what physical and emotional passion, and hostility toward that passion, may be like for them. The story and the film help in understanding the many men who love men and who don’t fit stereotypes of gay men or participate in the gay/queer worlds of urban/academic communities, especially men in rural areas and in working class contexts. This book examines the presentation of friendship, sex, and love between men in Brokeback Mountain, as well as the depiction of homophobia and its effects on men who love men and their families. It relates the story and the film to the literary tradition of the homoerotic pastoral, the literary/movie tradition of the Western, and the tradition of the tragic romantic love story.

All about All about Eve: The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made


All about All about Eve: The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made


$3.95


To millions of fans, "All About Eve" represents all that’s witty and wonderful in classic Hollywood movies. Its old-fashioned, larger-than-life stars–including Bette Davis, Marilyn Monroe, Anne Baxter, George Sanders, and Celeste Holm–found their best roles in "Eve" and its sophisticated dialogue has entered the lexicon. But there’s much more to know about "All About Eve." Sam Staggs has written the definitive account of the making of this fascinating movie and its enormous incluence on both film and popular culture. Staggs reveals "everything" about the movie–from the famous European actress Margo Channing was based on to the hot-blooded romance on-set between Bette Davis and costar Gary Merrill, from the jump-start the movie gave Marilyn Monroe’s career to the capstone it put on director Joseph L. Mankeiwicz’s. "All About "All About Eve"" is not only full of rich detail about the movie, the director, and the stars, but also about the audience who loved it when it came out and adore it to this day.

All about "All about Eve": The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made


All about "All about Eve": The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made


$4.44


To millions of fans, "All About Eve" represents all that’s witty and wonderful in classic Hollywood movies. Its old-fashioned, larger-than-life stars–including Bette Davis, Marilyn Monroe, Anne Baxter, George Sanders, and Celeste Holm–foudn their best roles in "Eve" and its sophisticated dialogue has entered the lexicon. But there’s much more to know about "All About Eve," Sam Staggs has written the definitive account of the making of this fascinating movie and its enormous incluence on both film and popular culture. Staggs reveals "everything" about the movie–from the famous European actress Margo Channing was based on to the hot-blooded romance on-set between Bette Davis and costar Gary Merrill, from the jump-start the movie gave Marilyn Monroe’s career to the capstone it put on director Joseph L. Mankeiwicz’s. "All About "All About Eve"" is not only full of rich detail about the movie, the director, and the stars, but also about the audience who loved it when it came out and adore it to this day.

All about All about Eve :  The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made


All about All about Eve : The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made


$16.27


Buy All about All about Eve by Sam Staggs in Paperback for the low price of 16.27. Find this product in Performing Arts > Film & Video – History & Criticism.

Writing about Movies


Writing about Movies


$13.38


Writing About Movies offers students two books in one: a handy guide to the process of academic writing and a brief but thorough introduction to the basics of film form, film theory, and film analysis. Written by the director of the writing program at Dartmouth College and the authors of the leading introductory film-studies text, Writing About Movies is the only writing guide a student of film will need.

Film Viewer's Guide


Film Viewer’s Guide


$3.95


Packaged free with each copy of Film Art, this new guide by David Bordwell explains how to analyze and write about films.

The Oxford Companion to Australian Film


The Oxford Companion to Australian Film


$20.94


This eagerly awaited companion, edited by a team led by Brian McFarlane, will become the primary reference for film professionals and movie buffs seeking information about any facet of Australian cinema.

Risky Business: Rock in Film


Risky Business: Rock in Film


$11.36


Exposure is the name of the game in the world of mass media today. Customers are more selective about what they purchase, in part because prices are higher, and in part because they have so many choices about how to spend leisure time. In the exposure of popular music, and in particular rock, the role of motion pictures has become increasingly significant. Rock music and film is the subject of Risky Business, which extends the pioneering examinations of the record industry and how it interacts with other media.

All about Bond


All about Bond


$27.54


Buy All about Bond by Terry O’Neill in Hardcover for the low price of 27.54. Find this product in Performing Arts > Film & Video – History & Criticism, Photoessays & Documentaries, Theater – General.

Chicago - Film Choral Highlights


Chicago – Film Choral Highlights


$29.95


(Featuring: And All That Jazz / Funny Honey / All I Care About / My Own Best Friend / Razzle Dazzle / I Move On). By Kander & Ebb. Arranged by Teena Chinn. Choir Secular. This edition: Accompaniment CD. Performance / Accompaniment CD only – No Sheet Music

The Film Club: A Memoir


The Film Club: A Memoir


$3.99


From the 2005 winner of the Governor General’s Award for Fiction and the former national film critic for CBC television, The Film Club s a delightful and absorbing book about the agonies and joys of home-schooling a beloved son through the lens of classic world cinema.

Problems of Film Direction


Problems of Film Direction


$21.29


Sergei Eisenstein is arguably the most important single figure in the history of movies. He was certainly the most versatile. The director of the masterpieces Battleship Potemkin and Alexander Nevsky, Eisenstein also wrote ground-breaking essays on film art and taught classes on motion picture production. In this book Eisenstein writes about film directing.

Hollywood and the American Historical Film


Hollywood and the American Historical Film


$34.58


This definitive interdisciplinary collection by leading scholars probes the theoretical and historical contexts of films made about the American past from silent film to the present. The book offers a fresh assessment of studio era historical filmmaking and its legacy across a range of genres.

Victorian Literature and Film Adaptation


Victorian Literature and Film Adaptation


$133.58


Movies began during the Victorian age. Through even the earliest years of filmmaking, Victorian literature provided a ready stock of familiar stories about colorful characters caught up in mystery, fantasy, adventure, sensation, and domestic conflict. Among the earliest films are adaptations of works by Victorian writers like Charles Dickens, Lewis Carroll, Thomas Hardy, and even Alfred, Lord Tennyson. With the proliferation of volumes on adaptation, work is needed that provides theoretical and practical approaches for those who think about literature together with film adaptations whether as scholarship, part of classroom study, or general enjoyment. By bringing together many different approaches to the topic of adaptation, this book provides an important overview of the subject of the adaptation of nineteenth-century British literature, as well as an examination of the constructive and creative use of film adaptations in the classroom. Although a wide range of critical approaches are included, the primary emphasis is on what specific adaptations reveal about the ways in which nineteenth-century British texts are understood, responded to, and analyzed based on particular cultural contexts. This book provides a basis for rethinking adaptation and a template for future discussions and academic courses. They orient the reader within a popular field of study that is currently in need of both greater focus and of practical direction.

Indelible Shadows: Film and the Holocaust


Indelible Shadows: Film and the Holocaust


$42.32


Indelible Shadows investigates questions raised by films about the Holocaust. How does one make a movie that is both morally just and marketable? Film scholar Annette Insdorf provides sensitive readings of individual films and analyzes theoretical issues such as the "truth claims" of the cinematic medium. The third edition of Indelible Shadows includes five new chapters that cover recent trends, as well as rediscoveries of motion pictures made during and just after World War II. It addresses the treatment of rescuers, as in Schindler’s List; the controversial use of humor, as in Life is Beautiful; the distorted image of survivors, and the growing genre of documentaries that return to the scene of the crime or rescue. The annotated filmography offers capsule summaries and information about another hundred Holocaust films from around the world, making this edition the most comprehensive and up to date discussion of films about the Holocaust, and an invaluable resource for film programmers and educators. Annette Insdorf is Director of Undergraduate Film Studies at Columbia University, and a Professor in the Graduate Film Division of the School of the Arts. She is the author of Double Lives, Second Chances: The Cinema of Krzysztof Kielowski (Hyperion, 1999) and Francois Truffaut (Cambridge, 1995). She served as a jury member at the Berlin Film Festival and the Locarno Film Festival, and is the panel moderator at the Telluride Film Festival. Insdorf co-hosts (with Roger Ebert) Cannes Film Festival coverage for BRAVo/IFC.

American Girls about Town


American Girls about Town


$3.95


- Jennifer Weiner is the New York Times bestselling author of Good in Bed and In Her Shoes, both in film production. – Lauren Weisberger is the New York Times bestselling author of The Devil Wears Prada. – Adriana Trigiani is an award-winning playwright, television writer, and bestselling author of Big Stone Gap, which is currently in production as a feature film. – American Girls About Town features a fabulous collection of authors with proceeds benefiting the Make-A-Wish Foundation and Barnardo’s–the U.K’s largest children’s charity.

Flashback: A Brief History of Film


Flashback: A Brief History of Film


$3.95


Consolidating major figures and film movements into their decade of greatest influence or prestige, this "no-nonsense" book offers a generously illustrated, concise, and very readable history of fiction movies with an emphasis on American cinema. Eclectic in methodology and written in a plain English style that audiences can relate to, it examines the full scope of traditional film history and criticism, viewing film as both an art and an industry- as it mirrors popular audience values, social ideologies, and historical epochs. Film discussions include titles such as "Forrest Gump, Jurassic Park, There’s Something About Mary, Face Off, the Lion King, Saving Private Ryan, Good Will Hunting, Pulp Fiction, Choosing Amy, The Piano, Menace II Society, Sweet Hereafter, The English Patient, Sense and Sensibility, Shakespeare in live, The Full Monty, The Crying Game, Life is Beautiful, and like Water for Chocolate. " For anyone who enjoys going to, and thinking about, the movies.

Film Studies: The Basics


Film Studies: The Basics


$35.39


This engaging and accessible introduction explores the intricacies of the film world to show how any reader can gain a broader understanding and a more pleasurable experience of film. Addressing general questions about why and how to study film, topics discussed include: – film language – film analysis – film history – the production/exhibition/reception of cinema – the future of film in the world of digital media. Lively, provocative and supported by a bibliography, chronology and glossary of terms, "Film Studies: The Basics" is an essential introduction to this culturally pivotal discipline.

Showgirls: Portrait of a Film


Showgirls: Portrait of a Film


$28.43


Here are portfolios of four distinguished photographers who were invited to the production of this film to capture the glittery world of Las Vegas sex, glamour and spectacle. The more than seventy powerful images — with over fifty in vibrant full-color, the others in rich, quadratone black-and-white — are introduced by the director’s candid essay about the artists, and his own approach to moviemaking.

The Film Actor's Handbook


The Film Actor’s Handbook


$17.94


What’s unusual about this book on acting? Jesse Vint wrote this book because he found, strangely enough, almost no books about film acting by people who have actually made a living at acting in film. Almost all are written by non-professional actors. It’s tantamount to learning from the sailor who has never been to sea, the soldier who has never been to war, or the cowboy who has never ridden a horse. In other words, they are coffee-shop geniuses. Jesse is a veteran of over a hundred films and television shows. He has also produced, directed, and written full-length feature films that have played throughout the world. Quote from Oscar Nominee, David Carradine, from his book about the shooting of Quentin Tarantino’s film, Kill Bill. -"Jesse Vint is a very cool and wise dude." Jesse shows actors how to internalize. Once they read this book, they will have a clarity about acting and what it is that they have never had before, regardless of how long they’ve studied. Jesse covers subjects such as: What Makes a Star; Traps In Acting; Rehearsals; The Essence of Script Analysis: Moving the Information from Head to Heart; Locating Your Hotbuttons; Strategy for Stressful Auditions; The Problem of Anticipation; Preparation Before the Director says Action; etc. Jesse says that the writer provides the words, the director is the cinematic storyteller, and it is the actor’s job to activate his soul in a manner consistent with the character. That is what an actor gets paid for. An actor can speak with an accent, walk with a limp, strap on a false nose, but these things mean absolutely nothing if the part is not internalized. If the actor does these things without internalizing, then that’s not acting – that’s Halloween. A movie is not everyday life – it is a compression of highly intense experiences. An actor must know the engine that’s driving him through his life; the engine that drives him in life is the same engine that will drive him through the screenplay, and give him the power to reach the intense experiences that film acting demands

Film Grain Birth Announcements


Film Grain Birth Announcements


$1.7


Celebrate the arrival of your little bundle of joy with these unique Birth Announcement photo cards. These fully customizable cards allow you to showcase your sense of style while your loved ones will adore the photo of your family’s precious new addition. If you have any questions or special requests for your card, let us know how we can help at customerservice@minted.com

100 Years of American Film


100 Years of American Film


$8.43


Film buffs, students researching American culture, or those just looking for information on a favorite film or director, will delight in this handy and authoritative volume. This is an A-to-Z compilation of articles extracted from the Twayne Filmmakers Series, the Dictionary of Film Terms, and the Encyclopedia of the American Cinema. Articles about specific movies, great directors, and famous actors and actresses are integrated with descriptions of film genres (buddy films, film noir, et al.) and other general topics.

Opportunities in Film Careers


Opportunities in Film Careers


$3.45


Opportunities in Series * MOST COMPREHENSIVE SERIES. With over 150 titles, students can explore virtually any job opportunity to their heart’s content. * FULL CAREER DESCRIPTION. Tells students what each profession is all about and the various job opportunities available. * OVERVIEW OF THE JOB MARKET. Provides information on educational requirements, salary opportunities, career advancement, and the employment outlook. * ADDITIONAL REFERENCES. Bridge readers to other resources on employment opportunities in the professional field.

Reading Management and Organization in Film


Reading Management and Organization in Film


$62.04


"Management, Organisations and Film" provides a critical historical analysis of representations of management and organization in film. Using a diverse range of classic and contemporary films from the 1920s to present day to explore common scenic conventions, such as the open-plan office or the elevator encounter, and characters, such as the drone-worker, corporate executive and career girl, the book argues that these representations provide important insights into enduring concerns about the role of organisations.

The History Boys: The Film


The History Boys: The Film


$3.95


Now a major motion picture from Fox Searchlight Pictures, "The History Boys": "The Film" contains Alan Bennett’s diary of the filming, the shooting script, and an introduction by director Nicholas Hytner, as well as an extensive plate section that includes a look behind the scenes and stills from the film. An unruly bunch of bright, funny sixth-form (or senior) boys in a British boys’ school are, as such boys will be, in pursuit of sex, sport, and a place at a good university, generally in that order. In all their efforts, they are helped and hindered, enlightened and bemused, by a maverick English teacher who seeks to broaden their horizons in sometimes undefined ways, and a young history teacher who questions the methods, as well as the aim, of their schooling. In "The History Boys," Alan Bennett evokes the special period and place that the sixth form represents in an English boy’s life. In doing so, he raises not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today.

Writing for Film: The Basics of Screenwriting


Writing for Film: The Basics of Screenwriting


$12.19


In this introduction to screenwriting, author Darsie Bowden provides sage, real-world advice and instruction on the process of writing film screenplays. This text will help budding screenwriters to structure their dramas, refine their characterizations, and craft their language, while also introducing them to the appropriate screenplay formats. It covers the complexities of writing for the screen and points out the contradictions to expect if readers pursue this work as a career. In addition to covering the elements of the dramatic film screenplay, Bowden discusses writing for such alternative markets as documentaries, independent films, experimental films, and other non-Hollywood options. Features of the text include: *guidelines for working as a screenwriter; *applications and exercises to enhance skills; *suggested readings for further development; and *a comprehensive list of resources for screenwriting. Successful writing for film lies in being able to heighten one’s perceptive abilities about the world and to communicate those perceptions in a cinematic way. In this text, Bowden introduces readers to an approach to screenwriting that will help them see the world in a different way and write about it using different genres and media. This most valuable skill prepares readers for the range of possibilities they will encounter on the path to successful screenwriting.

The Film Noir Encyclopedia


The Film Noir Encyclopedia


$37.93


Everything you ever wanted to know about Film Noir, but didn’t even know to ask, in one epic reference Enter the world of film noir, a world of darkness, ambiguity, and moral corruption. Meet the cynical and obsessive heroes of film noir portrayed by actors like Humphrey Bogart, Peter Lorre, James Cageny, Joan Crawford, and Bette Davis. You may encounter a gun-toting gangster, a femme fatale wrapped in fur, a detective with the brim of his hat turned down, or a desperate murderer lurking in the shadows of a doorway. It’s a world we all know-the seedy underbelly of the American Dream, and every bit as much a part of our culture. This wonderfully exhaustive text-tallying more than three hundred thousand words with hundreds of film stills and photos new to the work-distills everything about the genre into one volume from movies to stars to themes and motifs, and brings us up to date with contemporary contributions to the genre. This is the final word on a dark subject.

Film Flam: Essays on Hollywood


Film Flam: Essays on Hollywood


$3.95


A noted screenwriter himself, Pulitzer Prize-winner Larry McMurtry knows his Hollywood. In "Film Flam, " he takes a funny, original, and penetrating look at the movie industry and gives us the truth about the moguls, fads, flops, and box-office hits. With successful movies and television miniseries made from several of his novels — "Terms of Endearment, The Last Picture Show, Lonesome Dove, " and "Hud" — McMurtry writes with an outsider’s irony of the industry and an insider’s experience. In these essays he illuminates the plight of the screenwriter, cuts a clean, often hilarious path through the excesses of film reviewing, and takes on some of the worst trends in the industry: the decline of the Western, the disappearance of love in the movies, and the quality of the stars themselves. From his recollections of the day Hollywood entered McMurtry’s own life as he ate meat loaf in Fort Worth to the pleasures he found in the Beverly Wilshire Hotel, "Film Flam" is one of the best books ever written about Hollywood.

Film: A Very Short Introduction


Film: A Very Short Introduction


$13.48


Film is arguably the dominant art form of the twentieth century. In this Very Short Introduction, Michael Wood offers a wealth of insight into the nature of film, considering its role and impact on society as well as its future in the digital age. As Wood notes, film is many things, but it has become above all a means of telling stories through images and sounds. The stories are often quite false, frankly and beautifully fantastic, and they are sometimes insistently said to be true. Indeed, many condemn movies as an instrument of illusion, an emphatic way of seeing what is not there. And others celebrate the reverse: that film brings us closest to the world as it actually is. "Photography is truth," a character says in a film by Jean-Luc Godard. "And cinema is the truth twenty-four times per second." But they are stories in either case, and there are very few films, Wood observes, even in avant-garde art, that don’t imply or quietly slip into narrative. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life’s most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Thin Film Materials Technology


Thin Film Materials Technology


$250


An invaluable resource for industrial science and engineering newcomers to sputter deposition technology in thin film production applications, this book is rich in coverage of both historical developments and the newest experimental and technological information about ceramic thin films, a key technology for nano-materials in high-speed information applications and large-area functional coating such as automotive or decorative painting of plastic parts, among other topics. In seven concise chapters, the book thoroughly reviews basic thin film technology and deposition processes, sputtering processes, structural control of compound thin films, and microfabrication by sputtering.

The Score: Interviews with Film Composers


The Score: Interviews with Film Composers


$20.59


This collection of candid interviews with some of today’s finest and hottest film composers presents a broad cross-section of thoughts about the process of film composing, styles of film music, and working within today’s entertainment industry. Every fan of the music that often guides our emotions as we sit glued or trembling in our theater seats will find this contemporary insider’s look at this popular musical genre a must-read. Among the composers included are: Thomas Newman; Elmer Bernstein; Marc Shaiman; Mark Isham; John Barry; Terence Blanchard; Howard Shore; Bruce Broughton; James Newton Howard; John Corigliano; Christopher Young; Joel McNeely; Paul Chihara; Shirley Walker; Daniel Licht.

And Why Not?: Memoirs of a Film Lover


And Why Not?: Memoirs of a Film Lover


$17.84


Renowned for his laconic wit and opinionated ideas, Barry Norman shares a wealth of stories about his life among Hollywood royalty. One of the United Kingdom’s best-known film authorities, journalists, and broadcasters, Barry Norman fronted the seminal BBC film program for nearly thirty years. In And Why Not?, Norman recounts his years of fraternizing with the cinematic greats, including encounters with the likes of Elizabeth Taylor, Laurence Olivier, and Madonna. Honest, clever, funny, and at times poignant, And Why Not? offers an insider’s account of the worlds of journalism, broadcasting, and film.

The Magic of Music in Film


The Magic of Music in Film


$3.95


Most film-goers are unaware of the fact that, in the background, there is usually music to be heard, though specific themes and other compositions may stress the actions that are seen, usually in a most attractive and exciting way. This quality is best perceived when the composer has exceptional talent. Too little is known about the good composers who usually come from a background of classical training and experience The film-goer may be quite unaware of the fact that the music has in many cases enhanced the quality of the film. It has been exhilarating to explore this aspect and to identify the ways in which the relatively lesser known composers have also provided this quality; but the titans deserve the greatest attention and highest praise..

The Encyclopedia of Superheroes on Film and Television


The Encyclopedia of Superheroes on Film and Television


$4.99


It’s a bird, it’s a plane, it’s a complete guide to over fifty years of superheroes on screen Each entry includes cast and credits, a format guide, individual episode descriptions, cross references, and critical commentaries, as well as notations about arch-villains, gadgets, powers, and headquarters. Each entry also includes a detailed history. Five appendices list common conventions and cliches of superheroes on screen, incarnations, coming attractions, a sampling of memorable superhero ad-lines, and the best, worst, and most influential superhero productions from 1951 to 2003. Mr. Muir’s Horror Films of the 1970s (2002; $59.95) was selected as one of the thirteen "Reference Books of the Year" by the American Library Association.

Techniques of the Film Masters


Techniques of the Film Masters


$16.97


If student filmmakers want to learn how to direct great films, then they should study great film directors. Studying a director close-up will encourage and motivate students of film and provide a role model for them to follow as they continue to mature their own creative artistic elements in filmmaking. In learning about a film director, it is important to analyze their personality, vision of cinema, directing style, creative artistic elements in film, as well as any other aspect of motion picture production that communicates their talents. With the goal of serving as a source of encouragement and valuable reference for beginning as well as seasoned film directors, "Techniques of the Film Masters" was written with that aim in mind.

Movie Music, the Film Reader


Movie Music, the Film Reader


$143.99


Bringing together material from the areas of documentary, fandom and animation, Movie Music, the Film Reader comprises an important first collection of writings about film music. It is divided into four sections, each with an introduction by the editor. Essays in The Meanings of the Score look at instrumental scores, their production and reception, and questions the onscreen power of the nineteenth century classical genre. The Place of the Song turns to popular music, asking how the pop score supports the film narrative. Formal Politics of Music on Film considers the subversive power of film music, and in Crossing Over Into the Narrative articles address the use of musicians within film narratives, from rockumentaries to pop-stars-as-movie-stars, such as Madonna in Desperately Seeking Susan.

Making Your First Film


Making Your First Film


$21.61


"Making Your First Film" is a concise and meaty resource that will pay for itself a thousand times over. It doesn’t wax eloquent about things you don’t have time to read. It’s not an all encompassing treaty on filmmaking because reading text books won’t get your film made. And it includes something that most books don’t; the owner of the book receives THREE FREE emails and/or telephone contacts with our Hollywood Production Company, Castlight Pictures. We will take your emails and talk to you on the telephone to get you started. You will receive expertise from our producers/directors and writers. What book gives you that? You’ve heard the adage in one of Tiger Woods’ commercials that success is 90% perspiration and 10% inspiration. Well, filmmaking is about the same ratio. Darwinian odds are at play more than film schools and "long-winded" books want to admit. It’s more about "doing" than "knowing." Most people can figure out how to write, get written or buy a script. What they can’t figure out is how to get the money to make their film and what to do next. Regardless if it’s a short, a feature or a documentary only those who know how to mine their own resources and contacts to raise capital are going to be filmmakers. Anybody can write a script and hope Hollywood comes calling. I can’t tell you how many scripts and people with them are out there. All waiting for an Agent, an Option, a Sale or Film Deal to propel them into what they really want to do: make films This book is different. If you don’t want to work hard, and I mean hard, at making your film, go buy a treaty on filmmaking, hang out at Starbucks and tap on your laptop along with the others. However, if you’re ready to make things happen, today, then let’s get started.

Film: A Critical Introduction


Film: A Critical Introduction


$129.42


"Film: A Critical Introduction "provides readers with the skills needed to successfully critique and analyze film and teaches strategies for translating ideas about film into written criticism and analysis. Intricate discussions of the current issues in film theory, from sound production to documentaries, keep readers’ perspectives on film fresh and informed. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III frames the debates around ideological criticism, national and transnational cinema, and genre and auteur theory that animate contemporary film scholarship.

Film as Social Practice


Film as Social Practice


$40.94


This fourth edition of our bestselling classic text has been comprehensively updated and revised to include contemporary film analysis and recent films. With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology. This fourth edition now includes: new sections dealing with debates about spectacle and special effects an extended treatment of sound and its contribution to cinema film theory’s discussion of the representation of race and ethnicity a thorough update of individual film references a revised applications chapter that includes new contemporary examples new illustrations from contemporary popular cinema. Students of film studies, film practice and film theory will find this a welcome addition to their degree course studies.

Asterix and the Vikings: The Book of the Film


Asterix and the Vikings: The Book of the Film


$16.94


Asterix, the comic hero from the Roman era and the first international superhero, continues to conquer the world. With hundreds of millions of copies sold in 107 languages and dialects, plus 11,000 websites devoted to the character, these engagingly witty and record-breaking books have become the highest-selling series ever–surpassing even Harry Potter And the phenomenon is spreading to other media, including the upcoming film–with an all-star cast and theme song by Celine Dion–that inspired this latest hysterical historical tale. Asterix and Obelix embark on one of their most dangerous missions, voyaging to the Vikings’ home territory to rescue Justforkix. Making matters even harder for our heroes? The Viking chief’s daughter, Abba, has fallen for Justforkix A 16-page supplement reveals inside info about the making of the film.

Religion and Film: An Introduction


Religion and Film: An Introduction


$31.37


Studies of religion and film have long been dominated by the question of a film’s fidelity to a religious text or worldview, or its value as a tool in ministry and mission. "Religion and Film" seeks to redress this balance, and will have strong appeal to students as well as general readers interested in all aspects of the inter-relationship of religion and the cinema. Drawing on cultural studies approaches, and focusing on such films as "La Passion de Jeanne D’Arc," "Lagaan," "My Son the Fanatic," "The Wicker Man" and "The Passion of the Chris"t, Melanie Wright looks at varied screen representations of religion; at films shaped by strong convictions about the place of religion in society; and at the roles that people play as consumers of film.

When Opera Meets Film


When Opera Meets Film


$93.66


Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf’s theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera’s musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola’s Godfather trilogy, Jewison’s Moonstruck, Nichols’s Closer, Chabrol’s La Ceremonie, Schlesinger’s Sunday, Bloody Sunday, Boyd’s Aria, and Ponnelle’s opera-films.

Film Production Management


Film Production Management


$38.94


Film Production Management will tell you in step-by-step detail how to produce a screenplay and get it onto the big screen. Whether you are an aspiring or seasoned film professional, this book will be an indispensable resource for you on a day-to-day basis. This updated edition remains true to the practical, hands-on approach that has made previous editions so successful, and has been updated with revised forms, permits, and budgets applicable to all productions; contains important information on standards and typical processes and practices; includes the latest information available on technological advances such as digital FX; and discusses the impact of the Internet on filmmaking. Film production professionals at all levels of experience will benefit from the information in this handbook to film production management. *A comprehensive, practical resource to help you transform a screenplay into a film *Includes all the forms, legal information, and budgeting information you’ll need to succeed *Updated information about marketing, technological advances, and legal issues such as permits and immigration

Film and Memory in East Germany


Film and Memory in East Germany


$28.49


Anke Pinkert explores films produced in the Soviet Occupation Zone and East Germany from the end of World War II through the early 1960s, offering new insights into how Germans dealt with the aftermath of the war. In her cultural analysis of the relationship between modern historical violence, cultural memory, and cinematic representation, Pinkert argues that the cinematic productions of East Germany offer a corrective to misperceptions about German responses to the legacy of the war. Film and Memory in East Germany considers antifascist films of the immediate postwar period, which depict the reintegration of former soldiers into society and the crisis of masculinity that accompanied the aftermath of the war; the socialist films of the late 1940s and 1950s, which attempt to shape a new national imaginary through stories of exemplary socialist womanhood; and, finally, the cinematic return to 1945 in socialist modernist films of the 1960s.

Film and Literature: An Introduction and Reader


Film and Literature: An Introduction and Reader


$3.95


This book is a wide-ranging introduction to the long history and provocative debates about the interactions between film and literature. "Film and Literature: A Reader" presents essays from a variety of cultures that address the major issues in the exchange between film and literature since the beginning of the twentieth century. The book provides landmark discussions of different genres and practices (such as poetry and movies or film scripts as literature) through writings by such figures as Vachel Lindsay, Walter Benjamin, and Alexander Astruc. It presents a concise, but detailed history of film and literature and the critical terms and techniques used in film and literary analysis as well as a detailed history of the bond between film and literature, from theatrical narratives of the silent film era to recent blockbuster adaptations of Shakespeare and Jane Austen. It also features introductions to each essay and suggests how the essays may be used to analyze works involving film and literature. An essential resource for every reader interested in film.

Flashback: A Brief Film History


Flashback: A Brief Film History


$69.3


KEY BENEFIT: Consolidating major figures and film movements into their decade of greatest influence or prestige, this "no-nonsense" book offers a generously illustrated, concise, and very readable history of fiction movies with an emphasis on American cinema. Eclectic in methodology and written in a plain English style that audiences can relate to, it examines the full scope of traditional film history and criticism, viewing film as both an art and an industry- as it mirrors popular audience values, social ideologies, and historical epochs. KEY TOPICS: Film discussions include titles such as "Borat; "the" Harry Potter "series; "Crouching Tiger, Hidden Dragon; Babel; A History of Violence; Horton Hears a Who ; Batman: The Dark Knight; Ratatouille; Juno; Brokeback Mountain; No Country for Old Men; "and "There Will Be Blood. KEY " For anyone who enjoys going to, and thinking about, the movies.

The Hollywood Historical Film


The Hollywood Historical Film


$37.94


A comprehensive analysis of the historical film–a popular and controversial genre that’s been with us since the early days of cinema–and Hollywood’s unique ability to reshape our viewpoints while it sensually recreates the past. Provides a complete guide to the unique characteristics of historical film, distinguishing among sub-genres such as historical epics, war films, biographies, topical films, and meta-historic works like "Nixon" and "JFK" Offers detailed analyses of groundbreaking films such as "Spartacus," "Schindler’s List," and "United 93" Examines the dual role of the historical film to entertain and educate, with its tendency to arouse critical and popular controversy Stimulates discussion about Hollywood’s power to persuade and reshape our views of the past

Juice Straw Film Camera


Juice Straw Film Camera


$52.99


Hey, guys, please give me a juice box! Well, I can not drink the juice, it is the camera!Interesting? Original design of the juice a variety of Japanese style and fresh cigarette style camera debut! Super cute, straw or cigarette holder of this Juice Film Camera that is part of the shutter, snapshot fresh your weapons! Dark corners of the unique effects, color cast, 28mm optical lens in Japan, Juice Camera box in your hands, touch new music a try! Without the flash, not for indoor use, better shooting in the sun!And just like the simpler times of your childhood, this snappy Juice Camera box brings you back to what the joy of photography is all about: carefree shooting. All you need is a lens and a shutter, and you’re set! What’s more, no fancy settings, no batteries!

Secrets of Film Writing


Secrets of Film Writing


$3.95


Most books about screenplays instruct on three-act structure, character arcs, and how to format a script. But you already know all that. "Secrets of Film Writing "reveals a working writer’s secrets-the tips, short cuts, tricks, and insider advice that will get your story down on paper, maximize your idea, and seduce your readers. Do you know why actors pick scripts out of a stack? Why montage sequences don’t work? Why the traditional three-act structure is obsolete? Lazarus lifts the veil with dozens of secrets like these. Lazarus’s insights and techniques will smooth and improve any screenwriter’s process and will make any script more readable and ultimately more salable. "Secrets of Film Writing "takes you behind the scenes of feature and television writing and demystifies, once and for all, the Hollywood System.

The Philosophy of Science Fiction Film


The Philosophy of Science Fiction Film


$23.94


The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders’s introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell’s 1984.

Redefining Black Film


Redefining Black Film


$6.09


Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid’s discussion of black independent films–defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks–ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid’s innovative critical approach, which transcends the "black-image" language of earlier studies–and at the same time redefines black film–makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women’s Studies.

Pornography: Film and Culture


Pornography: Film and Culture


$36.15


Porn is big business. By some estimates, it grosses more revenue per year than the entire "legitimate" film and entertainment industry. Most large hotel chains offer pay-for-view adult movies, many video stores have adult movie rental sections, and Internet porn sites have proliferated by the thousands. With porn so ubiquitous in mainstream American culture, why is it that when "respectable" people talk about this phenomenon, they act puzzled, as if they cannot imagine who would watch such worthless and meaningless smut?In this collection of path-breaking essays, thirteen respected scholars bring critical insights to the reality of porn and what it can tell us about ourselves sexually, culturally, and economically. Moving beyond simplistic feminist and religious positions that cast these films as categorical evils-a collective preserve of sexual perversion, misogyny, pedophilia, and racism-the contributors to this volume raise the bar of the debate and push porn studies into intriguing new territory. The essays are divided into two sections. The first of these reprints important debates on the topic and traces the evolution of pornographic film, including comparing its development to that of Hollywood cinema. The second part presents new essays that consider current trends in the field, including pornography’s expansion into new technologies.This book separates this compelling genre from the sensation and shame that have long surrounded and obscured it. It will be of interest to general readers and film scholars alike.Peter Lehman is the director of the Film and Media Studies Program and the Center for Film and Media Research at Arizona State University, Tempe. He is the author, coauthor, and editor of twelve books including, Roy Orbison: The Invention of an Alternative Rock Masculinity.A volume in the Depth of Field Series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons

Film Genre: Hollywood and Beyond


Film Genre: Hollywood and Beyond


$39.77


"Film Genre: Hollywood and Beyond" provides a detailed account of genre history and contemporary trends in film genre, alongside the critical debates they have provoked. The book ranges widely across the field, dealing separately and in detail with not only classic genres – including the Western, the musical, the war film, the gangster film, and "film noir" – but also more recent trends such as body-horror, Holocaust film, and the action blockbuster. Throughout the book, genre is presented as a constantly evolving phenomenon. Writing in a sophisticated yet accessible style, Barry Langford shows how notions of genre help shape the ways that filmmakers, critics and audiences view films and how the often complex scholarly debates around genre reflect important differences in the ways cinema is understood in relation to its social and historical contexts. The book encourages students to interrogate and broaden received ideas about genre. Features * Key text suitable for both undergraduate and advanced students * Detailed close analyses of key films (including The Matrix, Saving Private Ryan and Singin’ in the Rain) * Comprehensive bibliography and guide to further reading * Up-to-date and theoretically informed.

The Pocket Essential Australian Film


The Pocket Essential Australian Film


$3.95


Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. From the world’s first feature film in 1906 to the world’s first feature documentaries shot between 1895 and 1901, Australia has always done great things in film. Not only did Australia give birth to film but also to some of the biggest stars of the 20th century. In the 1980s and 1990s we saw the first low budget films that billed Mel Gibson, Russell Crowe, Nicole Kidman, Guy Pearce, Cate Blanchett, Hugh Jackman, Eric Bana, and Geoffrey Rush. With directors such as Baz Luhrman and actors such as Geoffrey Rush, Australian cinema has become a whole lot more artistic and risque. Although often undervalued in a multi-billion dollar international film industry, Australia has led the way in artistry, location films, documentaries, nudity, coarse language, crime, anti-establishment, sexuality, and realism.

The Art of Film Music


The Art of Film Music


$35.64


Music is a key element in narrative cinema. The film score offers important clues about characters and situations and gives illusion of continuity to otherwise disparate images. The Art of Film Music draws on conversations with Hollywood’s leading composers as well as author George Burt’s own experience composing for the screen to provide a useful, fascinating guide to creating music for dramatic films. Burt explores music’s significant role and powerful effect by analyzing several scenes in classic films produced from the 1930s through the 1980s. His thorough examination of the practical and aesthetic aspects of scoring a film is richly illustrated by the personal perspectives of such renowned composers as Hugo Friedhofer, Alex North, David Raksin, and Leonard Rosenman. The volume features a penetrating discussion of the landmark scores from key scenes in The Best Years of Our Lives, Laura, and East of Eden. It also offers a technical guide to composing film music, explaining the spotting process, timing, synchronization, and general approaches to composition. In addition, numerous musical examples from films as far-ranging as High Noon and Who’s Afraid of Virginia Woolfe?, as well as a glossary of musical terms, are included.

Visions of Virtue in Popular Film


Visions of Virtue in Popular Film


$18.74


A work in both aesthetics and ethics, this book proceeds from the interplay of film and philosophy. It examines a group of first-rate popular movies to show how films which wonderfully entertain audiences also contain developed and important conceptions of virtue. By interpreting popular movies from this philosophical viewpoint the book deepens our aesthetic appreciation of film. At the same time, the analyses of film illustrate how narratives are essential to moral reflection by filling out and extending our understanding of moral life with the particulars of their characters and stories. The film interpretations can be read independently or as building within a series of ever-widening social contexts. Beginning with emphasis on the development of the virtuous individual (Groundhog Day), the discussion moves to romantic friendship (The African Queen), family (Parenthood), and then to cooperative community (Rob Roy). The concluding films are about virtuous individuals who must act within alienating social conditions: family and community are undermined (Fresh) or they have been eclipsed by economic forces and interests (Jaws and Aliens). Free of technical language and theorizing, the essays in this book should appeal to film fans and philosophers, in or out of the classroom.

The Complete Film Production Handbook


The Complete Film Production Handbook


$56.62


This book is for working film/TV professionals and students alike. If you’re a line producer, production manager, production supervisor, assistant director or production coordinator–the book has everything you’ll need (including all the forms, contracts, releases and checklists) to set up and run a production–from finding a production office to turning over delivery elements. Even if you know what you’re doing, you will be thrilled to find everything you need in one place. If you’re not already working in film production, but think you’d like to be, read the book — and then decide. If you choose to pursue this career path, you’ll know what to expect, you’ll be prepared, and you’ll be ten steps ahead of everyone else just starting out. New topics and information in the fourth edition include: * Low-budget independent films, including documentaries and shorts * Information specific to television production and commercials * The industry’s commitment to go green and how to do it * Coverage of new travel and shipping regulations * Updated information on scheduling, budgeting, deal memos, music clearances, communications, digital production, and new forms throughout * This guide to production management is on every producer’s shelf and will save you time, money, and hassles * Hundreds of forms, contracts, and checklists available to print and use on your production * New edition is fully updated with information about low-budget productions and much more

The Documentary Film Makers Handbook


The Documentary Film Makers Handbook


$45.81


Documentary films have enjoyed a huge resurgence over the last few years, and there’s a new generation of filmmakers wanting to get involved. In addition, the digital revolution has made documentaries even more accessible to the general filmmaker. Documentary films can now be shot professionally using cheaper equipment, and smaller cameras enable the documentarian to be less intrusive and therefore more intimate in the subjects’ lives. With an increasing number of documentaries making it to the big screen (and enjoying ongoing sales on DVD), the time is right for an information-packed handbook that will guide new filmmakers towards potential artistic and commercial success.The Documentary Film Makers Handbook features incisive and helpful interviews with dozens of industry professionals, on subjects as diverse as interview techniques, the NBC News Archive, music rights, setting up your own company, the Film Arts Foundation, pitching your proposal, the Sundance Documentary Fund, the Documentary Channel, the British Film Council, camera hire, filmmaking ethics, working with kids, editing your documentary, and DVD distribution.The book also includes in-depth case studies of some of the most successful and acclaimed documentary films of recent years, including Mad Hot Ballroom, Born Into Brothels, Touching the Void, Beneath the Veil, and Amandla The Documentary Film Makers Handbook will be an essential resource for anyone who wants to know more about breaking into this exciting field.>

Amern Silent Film PB


Amern Silent Film PB


$17.93


Praised as the "best modern survey of the silent period" ("New Republic"), this indispensable history tells you everything you need to know about American silent film, from the nickelodeons in the early 1900s to the birth of the first "talkies" in the late 1920s. The author provides vivid descriptions of classic pictures such as "The Birth of a Nation, Intolerance, Sunrise, The Covered Wagon, "and" Greed," and lucidly discusses their technical and artistic merits and weaknesses. He pays tribute to acknowledged masters like D. W. Griffith, Charlie Chaplin, Buster Keaton, Douglas Fairbanks, Mary Pickford, and Lillian and Dorothy Gish, but he also gives ample attention to previously neglected yet equally gifted actors and directors. In addition, the book covers individual genres, such as the comedy, western gangster, and spectacle, and explores such essential but little-understood subjects as art direction, production design, lighting and camera techniques, and the art of the subtitle. Intended for all scholars, students, and lovers of film, this fascinating book, which features over 150 film stills, provides a rich and comprehensive overview of this unforgettable era in film history.

The Understructure of Writing for Film and Television


The Understructure of Writing for Film and Television


$25.39


This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer. Based on their experience as professional writers and as teachers in a large, successful screenwriting program at California State University, Northridge, the authors provide a progression of assignments at manageable screenwriting lengths for beginners. They lead students through development of a premise, treatment, stepsheet, and, finally, miniscreenplay–essential elements in writing a longer script. A major feature of the text is the use of many example scenes from contemporary and classic American films, such as On the Waterfront, Kramer vs. Kramer, The Godfather, The Graduate, Tootsie, and more. Other scenes are drawn from international films and dramatic literature. The criticism of these scenes invites students to develop their own comparative models, while simultaneously providing exposure to the central analytical terms of good dramatic writing. The authors also place screenwriting within the larger tradition of dramatic writing in order to put the beginning writer in touch with the wealth of art, experience, and practical ideas the drama contains. They provide an up-to-date, practical discussion of marketing and copywriting a screenplay, with addresses of relevant professional societies. Most importantly, they never offer an ill-advised shortcut or restrict students to only one way of thinking about a character, situation, or scene. In The Understructure of Writing for Film & Television, the student’s thought and creativity are central.

Literature and Film as Modern Mythology


Literature and Film as Modern Mythology


$100.09


Novels and films record and codify the cultural experiences of their people. This book explores the relationship between contemporary literature and film of the past fifty years and the ancient myths of Judeo-Christian, Greek, Celtic, and Eastern origin. Following a detailed description and explanation of both literary and film devices, stories that inform to a mythic tradition are analyzed to identify what they reveal about modern culture. This work explores such diverse subjects as heroism, coming of age, and morality. This approach to literature and film explores how contemporary fiction and film fulfill a continuum in our never-ending search to understand how life ought to be lived. Encompassing a broad spectrum of modern film and fiction, a variety of authors and directors are represented. Included are novels from such writers as Stephen King, Alice Walker, Ken Kesey, Jerzy Kosinski, Robert Penn Warren, and Michael Ondaatje. Film directors include Stephen Spielberg, Hal Ashby, Phil Alden Robinson, George Stevens, Robert Rossen, and Milos Forman. As a valuable resource for film and literature classes alike, this work also provides suggestions for student projects.

The White Rectangle: Writings on Film


The White Rectangle: Writings on Film


$26.86


What did Kazimir Malevich (1878 – 1935), the proponent of pure abstraction in painting, have to do with film, that mechanical repository of everything that is banal and worthless? It was only in 1924 that Malevich described film as a system that fixed reality beyond the cultural idea. Nonetheless between 1925 and 1929 he wrote several articles on film as well as a script. The texts by the man who created the ‘black square’ that are assembled in this volume, and are for the most part translated into German for the first time, lead us to the heart of the debate about movement and acceleration as central metaphors for modernity in the international avant-garde. His contradictory reflections on the new medium document the friction between the metaphysical programme of Suprematist abstraction and the mediatic attributes of film. Malevich arranges the melodramas of Mary Pickford, the comedies of Monty Banks, the films of Sergei Eisenstein, Dziga Vertov, Walter Ruttmann and Yakov Protazanov within his historical model of the rise of Modernism from Cezanne through Cubism and Futurism, to Suprematism. In this process almost all his essays deal with the ‘missed encounter’ between film and art, because Malevich perceives film as the perfected form, not of Naturalism but of the principles of the new painting – dynamism and abstraction.For more information, please visit the publisher’s website at www.PotemkinPress.com.

The American Film Musical


The American Film Musical


$45.67


..". a model of genre criticism and probably the best overall analysis of the film musical to date." Journal of Popular Films and Television "The American Film Musical is a truly admirable book which is well worth making a song and dance about. It will immediately assume biblical authority for all who are seriously interested in the dream-factory’s most lavish fantasies, and it may even come to stand as a landmark in our understanding of Hollywood as a whole…. Altman’s book is thorough, well informed and warmly good-humored. It has brought the study of musical films out of the dark ages." Times Literary Supplement ..". an important addition to both literature and film collections…. a landmark study." Library Journal "Altman’s important study of the American film musical combines genre theory with film criticism and history…. Recommended… " Choice The American Film Musical is at once the most advanced statement on genre theory and the most complete treatment of the American musical. Altman’s unique interweaving of theory, history, and criticism represents an original and challenging contribution to film studies. Illustrated with over 200 frame enlargements and production stills.

Faith and Film: A Guidebook for Leaders


Faith and Film: A Guidebook for Leaders


$7.62


Growing numbers of church leaders are discovering that many films are able to impact viewers with gospel truths almost as well as a good sermon. Ed McNulty, a former pastor and longtime reviewer of films, offers this guide to help church leaders enter into dialogue with contemporary films. McNulty carefully crafts a theology of movies and then provides practical suggestions for creating and leading movie discussions with groups. In addition, he provides people from all across the theological spectrum with a framework to understand whether the overall message of a film outweighs concerns over profanity, violence, or sex in the film. He concludes by introducing twenty-seven films and including provocative questions about each that will prepare leaders to assemble and facilitate a group. Popular films explored include "The Color Purple"; "Crash"; "Hotel Rwanda"; "The Matrix"; "Million Dollar Baby"; "O Brother, Where Art Thou?" and "The Shawshank Redemption."

Escape from Film School


Escape from Film School


$3.95


"Escape From Film School" tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school. When Stuart arrives in California in the Sixties, he is fleeing the draft and he quite literally stumbles into USC’s film school. Within a few weeks he is living out of his car and making student films with stolen equipment. Within a few years he is rubbing elbows with a young Mike Ovitz and other characters pulled straight from the pages of Variety. Blessed with a biting wit and a jaundiced eye, Stuart is a keen observer of the machinations, power plays, and absurdities of the movie biz. His account of his own circuitous progress — and that of his beautiful and ambitious wife, Veronica; his beautiful and ambitious girlfriend, Ginger; and his loyal daughter, Rainbeaux — also offers an incisive and satirical look at this bizarre, yet fascinating world. Like" The Player," it is a dead-on, often hilarious and occasionally poignant tale about survival and redemption in Hollywood.

Eve Arnold Film Journal


Eve Arnold Film Journal


$4.16


From American photojournalist Eve Arnold, an intimate and candid look behind the scenes of some of the greatest movies ever made. In between her documentary photography, Eve Arnold spent almost fifty years photographing movie stars on location. From 1959, beginning with Joan Crawford’s last major film, "The Best of Everything," and ending in 1984 with "Steaming," Joseph Losey’s final picture, she worked behind the scenes on forty films, including "The Misfits" and "Alien," capturing such legends as Marlene Dietrich, Clark Gable, Marilyn Monroe, Sophia Loren, Paul Newman, Isabella Rossellini, Marlon Brando and Anjelica Huston. "Film Journal" is a collection of these images, over 120 photographs in all, along with the notes and impressions made by Arnold during the shoots. As her camera revealed the personalities beneath the stars, Arnold also became privy to their personal lives. In "Film Journal" she writes memorably about the tensions and dramas on the film set, of Crawford sneaking in vodka in a Pepsi cooler, Dietrich recounting her night with JFK. With eighty previously unpublished photographs and including many old favorites, "Film Journal" is a classic from one of the twentieth century’s most distinguished photographers.

Subtitles: On the Foreignness of Film


Subtitles: On the Foreignness of Film


$40.99


"Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to "Subtitles." How, then, to translate the experience of film–which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks’s novel "The Sweet Hereafter" as subtitles for publicity stills from Egoyan’s film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film "Friday Night" that should not have been subtitled; and Eric Cazdyn’s reading of the running subtitles on CNN’s post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages–"Somehow, I’d like to think it’s harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. "Subtitles" gives us not only a new way to think about film but also a singular design object. "Subtitles" is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). "Subtitles" has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council.

A Journey Through Documentary Film


A Journey Through Documentary Film


$5.77


From "Nanook of the North" to "Exit Through the Gift Shop," an overview of nonfiction film history from the early pioneers to the directors dominating the field today One of the most fascinating areas of filmmaking, documentaries have broken down societal taboos, changed legislation, strengthened and rocked entire governments, freed wrongly-convicted prisoners, and taught us more about the world in which we live. This overview of documentary history takes readers from the early "actualities" of pioneering non-fiction filmmakers such as Robert J. Flaherty and John Grierson, to the documentaries of Michael Moore, Errol Morris, Werner Herzog, and the directors dominating the field–and box office–today. An essential resource for film students, documentary buffs, filmmakers, and anyone interested in non-fiction film, it looks in-depth at more than 60 documentaries from around the world, covering a century of cinema, to illustrate what "documentary" means, and the changes and transitions that have occurred in non-fiction filmmaking over the years. Covering films such as "Night Mail," " Night and Fog," "The Sorrow and the Pity," " F for Fake," " The Thin Blue Line," "Hoop Dreams," "Fahrenheit 9/11," "Grizzly Man," and "Man on Wire," each analysis includes an introductory synopsis, as well as detailed notes on the film’s production history, filmmaker, unique innovations, construction, and key themes and issues.

Reel Revelations: Apocalypse and Film


Reel Revelations: Apocalypse and Film


$104.43


In the last decades, writers and directors have increasingly found the Book of Revelation a fitting cinematic muse for an age beset by possibilities of world destruction. Many apocalyptic films stay remarkably close to the idea of apocalypse as a revelation about the future, often quoting or using imagery from Revelation, as well as its Old Testament antecedents in Daniel, Ezekiel, and Isaiah.The apocalyptic paradigm often instigates social criticism. Kim Paffenroth examines how zombie films deploy apocalyptic language and motifs to critique oppressive values within American culture. Lee Quinby shows how Richard Kelly’s Southland Tales critiques not only social and economic crises in the USA but also Revelation’s depictions of Good versus Evil as absolute oppositions. Frances Flannery points out how Josh Whedon’s Serenity deconstructs the apocalypse precisely by using elements of it, depicting humans as their own created monsters.Jon Stone notes how apocalyptic fictions, while presenting nightmare scenarios, are invariably optimistic, with human ingenuity effectively responding to potential disasters. Mary Ann Beavis examines the device of invented scriptures (pseudapocrypha), deployed as a narrative trope for holding back the final cataclysm. John Walliss studies evangelical Christian films that depict how the endtime scenario will unfold, so articulating and even redefining a sense of evangelical identity.Richard Walsh analyses the surreptitious sanctification of empire that occurs in both Revelation and End of Days under the cover of a blatant struggle with another ‘evil’ empire. Greg Garrett examines how the eschatological figure of ‘The Son of Man’ is presented in the Matrix trilogy, the Terminator tetralogy, and Signs. Elizabeth Rosen shows how a postmodern apocalyptic trend has been working its way into children’s fiction and film such as The Transformers, challenging the traditionally rigid depictions of good and evil found in many children’s stories.This is the first volume in a forthcoming series of 6 titles on The Apocalypse and Popular Culture.

Digital Intermediates for Film and Video


Digital Intermediates for Film and Video


$3.95


The Digital Intermediate process (DI), or conversion of film to digital bits and then back to film again, has great potential to revolutionize the postproduction process. The skill set to photochemically process a movie and pop it into a canister for the postal service to send around to all of the movie houses and the skill set to digitally master and create a file that is distributed globally via the Internet and satellites are completely different. One of these entirely new processes is that of the digital intermediate. The DI has tremendous advantages, ranging from improved quality (first "print" is as good as the last) to cost savings (no re-mastering) to digital distribution (bits and bytes: no film in canisters). The DI influences everything from on set production to the delivery of content to consumers and everything in between. Digital Intermediates for Film and Video teaches the fundamental concepts and workflow of the digital intermediate process. Covers basics of film first, and then introduces the digital world–including a tutorial on digital images, asset management, online editing, color correction, restoration, film and video output, mastering and quality control. Jack’s clear and easy-to-follow explainiation of Hollywood buzz words and components facilitates the spill over to anyone who has a vested interest in the quality and cost of the movie. * The first broadcast-quality digital intermediate process was made only three years ago–25% of all films made in 2004 will go through the process–and this is the first book about the process * Author’s work on HBO’s Band of Brothers established the industry standard * Book assumes no digital production knowledge–packed with jargon busters and "ready reference" charts

Cinematernity: Film, Motherhood, Genre


Cinematernity: Film, Motherhood, Genre


$4.63


Noting that motherhood is a common metaphor for film production, Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres. Until now discussions of maternity have focused mainly on melodramas, which, along with musicals and screwball comedies, have traditionally been viewed as "women’s" cinema. Fischer defies gender-based classifications to show how motherhood has played a fundamental role in the overall cinematic experience. She argues that motherhood is often treated as a site of crisis–for example, the mother being blamed for the ills afflicting her offspring–then shows the tendency of certain genres to specialize in representing a particular social or psychological dimension in the thematics of maternity. Drawing on social history and various cultural theories, Fischer first looks at "Rosemary’s Baby to show the prevalence of childbirth themes in horror films. In crime films ("White Heat), she sees the linkage of male deviance and mothering. "The Hand That Rocks the Cradle and "The Guardian, both occult thrillers, uncover cultural anxieties about working mothers. Her discussion covers burlesques of male mothering, feminist documentaries on the mother-daughter relationship, trick films dealing with procreative metaphors, and postmodern films like "High Heels, where fluid sexuality is the theme. These films tend to treat motherhood as a locus of irredeemable conflict, whereas "History and Memory and "High Tide propose a more sanguine, dynamic, and enabling view.

The New Biographical Dictionary of Film


The New Biographical Dictionary of Film


$3.95


For twenty-five years, David Thomson’s "Biographical Dictionary of Film" has been not merely "the finest reference book ever written about movies" (Graham Fuller, "Interview"), not merely the "desert island book" of art critic David Sylvester, not merely "a great, crazy masterpiece" (Geoff Dyer, "The Guardian"), but also "fiendishly seductive" (Greil Marcus, "Rolling Stone"). Now it returns, with its old entries updated and 300 new ones–from Luc Besson to Reese Witherspoon–making more than 1300 in all, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new "musts," Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noel Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as "a work of imagination in its own right." Now better than ever–a masterwork by the man playwright David Hare called "the most stimulating and thoughtful film critic now writing."

A History of the American Film


A History of the American Film


$15.36


Musical / 9m, 6f / Various Sets A hilarious take off on American films, especially from the 1930s through the 1970s. The principals play a variety of characters. There is a Cagney Bogart Dean Brando type– and a Fonda Stewart Peck Perkins type. The women, too, are types– basically Bette Davis, Loretta Young and Eve Arden. The parts they play are wild parodies from many Hollywood genres; a silent tearjerker, slum idyll, gangster epic, courtroom melodrama, chain gang social justice thriller, screwball comedy, Busby Berkeley backstage musical, war propaganda canteen musical– not to forget "Casablanca," "Citizen Kane" and a variety of minor genres. "Christopher Durang has written one of the funniest, zaniest, most entertaining plays of the last decade…What we see is the American way of life reflected through a distortion mirror…It’s true that Durang has serious points to make…but this is no message play, thank goodness. Most everything in it is pure, unadulterated, uproarious fun…. Durang’s] witty comedy about the movies is a splendid, constantly surprising treat." – Stanley Eichelbaum, San Francisco Examiner "A grand popular entertainment. A significant act of film criticism as well as wise social commentary. Mr. Durang has the waggishness of four Marxes and the malice of Jonathan Swift. Through the history of the American film, we see a history of America – the turn from patriotism to cynicism, from optimism to sensationalism…The clown-sharp company of comic actors strikes precisely the correct stance – total conviction and not camp…A History of the American Film is an A-movie, a glorious montage of myth-America. – Mel Gussow, The New York Times

Cinematic Mythmaking: Philosophy in Film


Cinematic Mythmaking: Philosophy in Film


$28.94


Film is the supreme medium for mythmaking. The gods and heroes of mythology are both larger than life and deeply human; they teach us about the world, and they tell us a good story. Similarly, our experience of film is both distant and intimate. Cinematic techniques–panning, tracking, zooming, and the other tools in the filmmaker’s toolbox–create a world that is unlike reality and yet realistic at the same time. We are passive spectators, but we also have a personal relationship with the images we are seeing. In "Cinematic Mythmaking, " Irving Singer explores the hidden and overt use of myth in various films and, in general, the philosophical elements of a film’s meaning. Mythological themes, Singer writes, perform a crucial role in cinematic art and even philosophy itself. Singer incisively disentangles the strands of different myths in the films he discusses. He finds in Preston Sturges’s "The Lady Eve" that Barbara Stanwyck’s character is not just the biblical Eve but a liberated woman of our times; Eliza Doolittle in the filmed versions of Shaw’s "Pygmalion" is not just a statue brought to life but instead a heroic woman who must survive her own dark night of the soul. The protagonist of William Wyler’s "The Heiress" and Anieszka Holland’s "Washington Square" is both suffering Dido and an awakened Amazon. Singer reads Cocteau’s films–including "La Belle et la Bete, Orphee, " and "The Testament of Orpheus"–as uniquely mythological cinematic poetry. He compares Kubrickean and Homeric epics and analyzes in depth the self-referential mythmaking of Federico Fellini in many of his movies, including "81/2." The aesthetic and probing inventiveness in film, Singer shows us, restores and revives for audiences in the twenty-first century myths of creation, of the questing hero, and of ideals–both secular and religious–that have had enormous significance throughout the human search for love and meaning in life.

America's Film Vault


America’s Film Vault


$50.95


AMERICA’S FILM VAULT: A Reference Guide to the Motion Pictures Held by the U.S. National Archives is the comprehensive new book by award-winning author and film-sleuth Phillip W. Stewart. Some of the best kept history secrets are buried deep within AMERICA’S FILM VAULT. This essential reference guide unshrouds, for the first time in book form, the whereabouts of historic motion picture films preserved in the U.S. National Archives. This treasure trove includes over 360,000 film reels that document a century of American and world history. Unfortunately, relatively few people know that these historically significant films exist, and even fewer know how to find them. AMERICA’S FILM VAULT is an indispensable reference guide that discloses how these vintage films are organized and where to find them; exposes over 330 Government and Donated records that have motion pictures buried within them; uncovers and specifically identifies over 1,460 film titles and provides topical references to thousands more; and reveals-all with a comprehensive 2,130-plus subject index that sheds light on a vast variety of rare films. According to William T. Murphy, former Chief of the Motion Picture, Sound, and Video Branch of the National Archives, America’s Film Vault is, ..".a convenient overview of National Archives and Records Administration’s motion picture holdings, one difficult to obtain from any other source." If you’re ready to play detective, take a crack at the combination, and investigate the bowels of the vault, you need a guide map…and this is it Discover "reel" treasures with AMERICA’S FILM VAULT. Check out the author’s website (at www.pwstewart.com) for more information about this and his other books in The Historic Footage Project.

A Good Year: Portrait of the Film


A Good Year: Portrait of the Film


$3.95


The official tie-in to the movie directed by Ridley Scott, starring Russell Crowe and Albert Finney–a Twentieth Century Fox release. Love, laughter, wine, and the glorious landscape of Provence abound in this movie from director Ridley Scott, who conceived the idea for this story with his Provencal neighbor Peter Mayle. Mayle then went on to write the novel on which the movie is based. The film’s stars, Russell Crowe and Albert Finney, and its talented international cast and crew are beautifully portrayed in these pages, which also include an exclusive Q&A with Scott and Mayle, passages from the Marc Klein screenplay, a synopsis of the story, and fascinating behind-the-scene notes about the filmmaking, winemaking, and Provence. Includes over 130 beautiful production photos and illustrations. "A Good Year" tells the story of Max Skinner (Crowe), a London-based investment expert who inherits a small wine estate in the Luberon from his bon vivant uncle, and must take a break from daily warfare in the City to settle things. Max wants to sell and run, but once in Provence, his plans fall apart. The benevolent spirit of his late Uncle Henry (Finney), a lovely and feisty restaurant owner (Marion Cotillard), a mysterious young American (Abbie Cornish), a passionate winegrower (Didier Bourbon), and the magical region itself all conspire to keep Max at Chateau La Siroque, where he ultimately discovers the man he might have been.

Architecture and Film: Publications


Architecture and Film: Publications


$21.83


"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the American public’s perception of urban, suburban, and rural spaces. Contributors to this collection of essays come from a wide range of disciplines. Nancy Levinson from "Harvard Design Magazine" writes on how films from "The Fountainhead" to "Jungle Fever" have depicted architects. Eric Rosenberg from Tufts University looks at how architecture and spatial relations shape the Beatles films "A Hard Day’s Night, Help ," and "Let It Be." Joseph Rosa, curator at the National Building Museum, discusses why modern domestic architecture in recent Hollywood films such as "The Ice Storm, L.A. Confidential," and "The Big Lebowski" has become synonymous with unstable inhabitants. "I.D. Magazine" writer Peter Hall discusses the history of film titling, focusing on the groundbreaking work of Saul Bass and Maurice Binder. Editor Mark Lamster examines the anti-urbanism of the "Star Wars" trilogy. The collection also includes the voices of those from within the film industry, who are uniquely able to provide a ‘behind the scenes’ perspective: film editor Bob Eisenhardt comments on the making of Concert of Wills, a documentary on the construction of the Getty Museum; and Robert Kraft focuses on his work as a location director for Diane Keaton’s upcoming film about Los Angeles. Also included are interviews with David Rockwell, architect of numerous Planet Hollywood restaurants worldwide and designer of a new hall to host the Academy Awards ceremony; Kyle Kooper, who created title sequences for "Seven" and "Mission Impossible"; and motion picture art director Jan Roelfs, whose credits include "Gattaca, Orlando," and "Little Women."

American Drama in the Age of Film


American Drama in the Age of Film


$8.44


Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? "American Drama in the Age of Film" examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet’s "Glengarry Glen Ross," Sam Shepard’s "True West," Edward Albee’s "Who’s Afraid of Virginia Woolf," Margaret Edson’s "Wit," Tony Kushner’s "Angels in America," Tennessee Williams’s "Cat on a Hot Tin Roof," Arthur Miller’s "Death of a Salesman," and August Wilson’s "The Piano Lesson." In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater’s former thunder, by making drama more intimate, and visceral than most live events. But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.

Fujifilm Instax Mini Film


Fujifilm Instax Mini Film


$25.99


10233.85″ x 21.25″41°F (5°C) to 104°F (40°C)46026678 General Precautions: This film is designed for use with the Fuji instax mini cameras. It should be used in accordance with the instructions supplied with the camera. •Should you leave a film pack or loaded camera in a very hot or cold place, wait until the film or camera returns to normal temperature before using it. The quality of the final photo may be affected if you ex-pose the film while it is still hot or cold. •When handling a film pack, do not put pressure on the light-shielding cover sheet or within the slots on the rear of the pack. This may cause a film-ejection failure or unevenness in the photo. •Avoid opening a film pack or loading a camera under direct sunlight. After opening the film, do not leave it in a bright place. Load it into the camera as soon as possible. Caution: •Do not put this film in the mouth. Take special care to keep this film away from small children or pets. •Each film sheet contains a caustic processing fluid. Never cut, tear or punch holes in unused films. Upon ejection from the camera, the film immedi-ately begins to self-develop. The processing fluid in the film will be slightly caustic for about ten minutes. Avoid skin contact with this pro-cessing fluid during this time. Should you get some of this processing fluid on your skin, flush it off immediately with lots of water. If any of the fluid gets into your mouth or eyes, flush the affected area immediately with lots of water, then see your doctor. FUJIFILM instax™ Mini film works in FUJIFILM instax™ Mini Series of Cameras – instax™ Mini 7S, instax™ Mini 25 and instax™ Mini 50S. Mini Twin Pack contains 20 exposures.Fuji Photo Film Co. LtdFujifilmISO 800Instant Color Film SheetInstaxInstax Mini FilmInstax Mini Instant Camerahttp://www.fujifilm.com

The Trouble with Marlene/Film Studies


The Trouble with Marlene/Film Studies


$3.95


Parents have a lingering impact on their teen children. If you act like Marlene, you end up like Marlene — messed up, lonely and broke. No wonder Samantha rejects her mother’s lifestyle. In "The Trouble with Marlene," mother and daughter share one thing — thoughts of suicide. Marlene never stops talking about it, but for Samantha, it’s a private affair. There’s one other private thought for Samantha: putting a pillow over her mother’s face and bringing the madness to an end. How far is she prepared to take her fantasy? In "Film Studies," 15-year-old Cass is so cool she’s cold. That’s what people think. But she struggles to decide what role to play in life — an act that swallows her whole. It’s her director father, long absent, who leaves her struggling for an identity. The one thing she knows for sure is that she’s fed up with her mother’s ever-changing boyfriends. Then along comes a school film project and things get strange. But so what if the boy she likes films her twirling around half naked? Her father makes porn, doesn’t he? Each book in the Single Voice series consists of two separate but thematically connected stories with distinct inverted covers in an alluring "flip-book" format. Exploding with the urgency, drama and confusion of adolescence, these books will appeal to both avid and less experienced readers. No subject is off limits in the Single Voice series.

Film Essays and Criticism


Film Essays and Criticism


$12.03


One of the world’s leading film theorists, Rudolf Arnheim has been well known to readers of English since the publication of his classic Film as Art in 1957. This is the first English translation of another of his important books, "Kritiken und Aufsatze zum Film," which collects both film reviews and theoretical essays, most of them written between 1925 and 1940. As a young man in 1920s Berlin, Arnheim began writing about film for the satirical magazine Das Stachelschwein. In 1928, as the Weimar Republic began to crumble, he joined the intellectual weekly Die Weltbuhne as film critic and assistant editor for cultural affairs. His most important contributions to both magazines are published here, including witty and incisive comments on many of the great classics of the silent and early sound period, such as Buster Keaton’s "The General" and Fritz Lang’s "Metropolis." With the advent of Nazism in Germany, Arnheim emigrated first to Italy, where he wrote essays (many included here) for a nascent "Enciclopedia del Cinema," and then to England and the United States. The thirty essays on film theory discuss elements of theory and technique, early sound film, production, style and content, and the relationship of film and the state. The fifty-six critical pieces include Arnheim’s thoughts on the practice of film criticism, his reviews of German, American, French, and Soviet films, and his profiles of Greta Garbo, Charlie Chaplin, Felix Bressart, Erich von Stroheim, and others. Also included in the volume are an introduction (newly revised by Arnheim) and a comprehensive bibliography.

The Cult Film Reader


The Cult Film Reader


$62.26


""A really impressive and comprehensive collection of the key writings in the field. The editors have done a terrific job in drawing together the various traditions and providing a clear sense of this rich and rewarding scholarly terrain. This collection is as wild and diverse as the films that it covers. Fascinating." Mark Jancovich, Professor of Film and Television Studies, University of East Anglia, UK "It’s about time the lunatic fans and loyal theorists of cult movies were treated to a book they can call their own. The effort and knowledge contained in "The Cult Film Reader" will satisfy even the most ravenous zombie’s desire for detail and insight. This book will gnaw, scratch and infect you just like the cult films themselves." Brett Sullivan, Director of Ginger Snaps Unleashed and The Chair ""The Cult Film Reader" is a great film text book and a fun read." John Landis, Director of The Blues Brothers, An American Werewolf in London and Michael Jackson’s Thriller" ""Excellent overview of the subject, and a comprehensive collection of significant scholarship in the field of cult film. Very impressive and long overdue."" " Steven Rawle, York St John University, UK" Whether defined by horror, kung-fu, sci-fi, sexploitation, kitsch musical or ‘weird world cinema’, cult movies and their global followings are emerging as a distinct subject of film and media theory, dedicated to dissecting the world’s unruliest images. This book is the world’s first reader on cult film. It brings together key works in the field on the structure, form, status, and reception of cult cinema traditions. Including work from key established scholars in the field such as Umberto Eco, Janet Staiger, Jeffrey Sconce, Henry Jenkins, and Barry Keith Grant, as well as new perspectives on the gradually developing canon of cult cinema, the book not only presents an overview of ways in which cult cinema can be approached, it also re-assesses the methods used to study the cult text and its audiences. With editors’ introductions to the volume and to each section, the book is divided into four clear thematic areas of study – The Conceptions of Cult; Cult Case Studies; National and International Cults; and Cult Consumption – to provide an accessible overview of the topic. It also contains an extensive bibliography for further related readings. Written in a lively and accessible style, "The Cult Film Reader" dissects some of biggest trends, icons, auteurs and periods of global cult film production. Films discussed include "Casablanca," "The Rocky Horror Picture Show," "Eraserhead," "The Texas Chainsaw Massacre," "Showgirls" and "Ginger Snaps." "Essays by: Jinsoo An; Jane Arthurs; Bruce Austin; Martin Barker; Walter Benjamin; Harry Benshoff; Pierre Bourdieu; Noel Carroll; Steve Chibnall

Much Ado about Nothing


Much Ado about Nothing


$22.08


"Much Ado About Nothing" shows the violence of desire as well as its drive towards creative plotting or matchmaking. In this Handbook, Alison Findlay examines the play’s comic and tragic potential in the theatre; its attempts to harmonise love and war, attraction and repulsion. The volume: * explores the play’s resonance in early performances with reference to the crisis over fast-changing fashions, gendered notions of honour, and the changing personnel of Shakespeare’s company * analyses the play from a performance point of view scene by scene, considering the interactions between spectators and actors * surveys key productions and films, including Barry Jackson’s radical modernist production of 1919, the recently-rediscovered television film of Zeffirelli’s 1965 National Theatre Production, and Kenneth Branagh’s 1993 film version * outlines the play’s critical history from the eighteenth century to the present day, with a focus on contemporary concerns such as genre hybridity, sources and intertexts, and the instability of signs and appearances.

Speaking about Godard


Speaking about Godard


$29.66


Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from "Contempt to Passion." Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialoguesaeach representing a different period of Godard’s film production, and together spanning his entire careeraget at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard’s oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard’s ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work. As it takes us through Godard’s films in real time, Speaking about Godard conveys the sense that we are at the movies with Silverman and Farocki, and that we, as both student and participant, are the ultimate beneficiaries of the performance of this critique. Accessible, informative, witty, and, most of all, entertaining, the conversations assembled here form a testament to the continuing power of Godard’s work to spark intense debate, and reinvigorate the study of one of the great artists of our time.

On Film


On Film


$42.97


In this significantly expanded new edition of his acclaimed exploration of the four Alien movies, Stephen Mulhall adds several new chapters on Steven Spielberg’s Mission: Impossible trilogy and Minority Report. The first part of the book discusses the four Alien movies. Mulhall argues that the sexual significance of the aliens themselves, and of Ripley’s resistance to them, takes us deep into the question of what it is to be human. At the heart of the book is a highly original and controversial argument that films themselves can philosophize. Mulhall then applies his interpretative model to another sequence of contemporary Hollywood movies: the Mission: Impossible series. A brand new chapter is devoted to each of the three films in the series, and to other films by the relevant directors that cast light on their individual contribution to it. In this discussion, the nature of television becomes as central a concern as the nature of cinema; and the shift in generic focus from science fiction to thriller also makes room for a detailed reading of Spielberg’s Minority Report. On Film, Second Edition is essential reading for anyone interested in philosophy, film theory and cultural studies, and in the way philosophy can enrich our understanding of cinema.

Film


Film


$109.99


Todd Williams Film – Framed Art Print

Books about Films (Book Guide) :  Film Guides, Non-Fiction Books about James Bond, Star Wars Books, List of Star Wars Books


Books about Films (Book Guide) : Film Guides, Non-Fiction Books about James Bond, Star Wars Books, List of Star Wars Books


$19.99


Buy Books about Films (Book Guide) by Source Wikipedia in Paperback for the low price of 19.99.

Movies about the Movies-Pa


Movies about the Movies-Pa


$5.41


" Hundreds of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action-adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. Through close analysis of fifteen critically acclaimed films, Christopher Ames reveals how the idea of Hollywood is constructed and constructs itself. Films discussed: What Price Hollywood? (1952) A Star Is Born (1937) Stand-In (1937) Boy Meets Girl (1938) Sullivan’s Travels (1941) In a Lonely Place (1950) Sunset Boulevard (1950) The Star (1950) Singin’ in the Rain (1952) The Bad and the Beautiful (1952) Pennies from Heaven (1981) The Purple Rose of Cairo (1985) The Player (1992) Last Action Hero (1993)

Complete about Acting


Complete about Acting


$24.94


"Peter Barkworth: an actor of the utmost skill and refinement, whose physical control and spiritual awareness has always had a jewel-like gleam and precision."-John Peter, The Sunday Times About Acting-formerly titled The Complete About Acting-has become indispensable for students and professional actors alike because it is simple, clear and inspiring about the difficult art and craft of performing on stage, film, television, and radio. Peter Barkworth guides the reader through all aspects of acting-from auditions and preparing for a part to rehearsals and surviving long runs with freshness. He has also included a selection of interviews with leading performers and a director about how to work on a part: Judi Dench, Alec McCowen, Edward Petherbridge, Anna Massey, Wyn Jones, Alison Steadman, Patience Collier, Roger Rees, Prunella Scales and Samuel West. About Acting is not only a lucid and practical book about technique; it also explores ways of achieving the connection between an actor’s own life and the life of each part he or she plays. "His instruction has a double magnetism. For the fellow artist it will be of great interest … For the ordinary theatregoer, the critic, the newcomer, it will fascinate."-The Stage

About Mieke Bal


About Mieke Bal


$36.65


A collection of essays celebrating Mieke Bal – one of Europe’s foremost scholars in art history and visual studies, with a stellar international reputation. Brings together contributions by senior and younger scholars in the fields of art history and visual studies who reflect on Mieke Bal’s writings and art practice, assessing her contribution and legacies The first collection to consider her writing and art in depth, and to develop and extend her thinking in substantial ways Themes include some of Bal’s most important ideas and concepts in the visual field, such as the theoretical object, preposterous history, narrativity, vision and the gaze, cultural memory, self-reflexivity–of the artist, the viewer, the scholar The essays consider historical art – the Sistine chapel, Renaissance altar paintings, and watercolours–alongside more recent film, photography, graffiti, interactive immersive environments, online performance, and areas of visual interest often positioned outside the pages of art history While Bal has, unsurprisingly perhaps, become a key figure in the debates between art and visual culture, the extraordinarily wide range of visual materials collected here speaks of her path-breaking movement between the visual registers of high art and popular cultures, her resistance to clear-cut distinctions between image and word

Lay the Favorite :  A Story about Gamblers


Lay the Favorite : A Story about Gamblers


$15


Buy Lay the Favorite by Beth Raymer in Paperback for the low price of 15.00. Find this product in Biography & Autobiography > Personal Memoirs, Gambling – General, Film & Video – General.

My First Movie, Take Two: Ten Celebrated Directors Talk about Their First Film


My First Movie, Take Two: Ten Celebrated Directors Talk about Their First Film


$15.98


A sequel to the critically acclaimed "My First Movie," Stephen Lowenstein once again talks to some of our most celebrated filmmakers about their debut films. Lowenstein interviews ten directors about their career-launching film and how they got the movie off the ground: how they raised the finance, found actors, searched for locations, worked with the crew and saw the project through to completion. Filmmakers interviewed include Richard Linklater on "Slacker"; Alejandro Gonzalez Inarritu on "Amores Perros"; Terry Gilliam on "Jabberwocky"; and Sam Mendes on "American Beauty." A wonderfully rich compendium that is lively, informative, funny, and often surprising.

Katharine, I'm going to be completely frank about the film, even though y… - New Yorker Cartoon


Katharine, I’m going to be completely frank about the film, even though y… – New Yorker Cartoon


$138


William Hamilton “Katharine, I’m going to be completely frank about the film, even though y…” – New Yorker Cartoon – Premium Giclee Print

I Can't Do This But, I Can Do That: A Film For Families About Learning Differences DVD


I Can’t Do This But, I Can Do That: A Film For Families About Learning Differences DVD


$19.98


This 30-minute documentary takes an enlightening look at young people with a wide spectrum of learning differences, offering a compelling portrait of the ways in which these children are able to compensate by using their strengths to overcome their challenges.Many say they are no different from other kids, and can accomplish the same things just differently. We hear from their parents as well as their teachers, all of whom are committed to helping the children discover the ways they learn best. Kids interview segments are intercut with scenes of the children engaged in the activities that reflect their talents: one is a gifted muralist, another shines as a poet. Another boy is so articulate no one would ever suspect that he has dyslexia and has trouble spelling words and recognizing them on sight. A group of students attending Denver Academy, a school for students with learning differences, find that being surrounded by others with similar challenges helps them to accept themselves, as well as succeed academically and in the arts. The documentary ends on an uplifting note, reassuring children of different abilities that they are no less capable of performing great feats in their lives.

The Reel Truth: Everything You Didn't Know You Need to Know about Making an Independent Film


The Reel Truth: Everything You Didn’t Know You Need to Know about Making an Independent Film


$18.73


Did you know that most of the biggest indie filmmakers, screenwriters, and producers working today each made the same avoidable mistakes early on in their careers? "The Reel Truth" details the pitfalls, snares, and roadblocks that aspiring filmmakers encounter. Reed Martin interviewed more than one hundred luminaries from the independent film world to discuss the near misses that almost derailed their first and second films and identify the close shaves that could have cut their careers short. Other books may tell you the best way to make your independent film or online short, but no other book describes so candidly how to spot and avoid such issues and obstacles as equipment problems, shooting-day snafus, postproduction myths, theatrical distribution deal breakers, and dozens of other commonly made missteps, including the top fifty mistakes every filmmaker makes. From personal experience and his years as a freelance reporter covering independent film for "USA Today" and "Filmmaker" magazine, Martin uncovers the truth about the risks and potential rewards that go with chasing celluloid glory. Whether you’re writing a screenplay, looking for financing, about to start shooting, or thinking about investing time and money (or someone else’s money) in an independent film, "The Reel Truth" is a must-read.

Shoptalk: Conversations about Theater and Film with Twelve Writers, One Producer and Tennesee Williams' Mother


Shoptalk: Conversations about Theater and Film with Twelve Writers, One Producer and Tennesee Williams’ Mother


$3.95


Fourteen influential figures — Edward Albee, Horton Foote, Frank Gilroy, William Goldman, William Inge, Alan Jay Lerner, Mary Mercier, David Merrick, Mason Miller, John Patrick, Richard Wilbur, Edwina Dakin Williams, Tennessee Williams, Lanford Wilson — discuss their successes and failures.

My First Movie: Take Two: Ten Celebrated Directors Talk about Their First Film


My First Movie: Take Two: Ten Celebrated Directors Talk about Their First Film


$4.54


NOBODY FORGETS THEIR FIRST TIME–AND FILM DIRECTORS ARE NO EXCEPTION. In these strikingly candid interviews, ten internationally acclaimed directors–Richard Linklater, Richard Kelly, Alejandro Gonzalez Inarritu, Takeshi Kitano, Shekhar Kapur, Emir Kusturica, Agnes Jaoui, Lukas Moodysson, Terry Gilliam, and Sam Mendes–talk about the struggles and rewards of making their first film. Each chapter is devoted to a particular director and his or her debut–"Slacker, Donnie Darko, Amores Perros, Jabberwocky, "and "American Beauty "among them–and reveals telling details about the inside story of the film-making process: from writing the script to raising the money, from casting actors to gathering the crew, from shooting to editing, and, finally, screening the film. From these very different directors, working in many different countries, we get glimpses of a rich variety of filmmaking worlds–from Bollywood to Hollywood, no-budget to low-budget, studio-financed to self-financed. In each case, the directors relive the sometimes comic, sometimes tragic struggle to launch their careers, unself-consciously opening up about one of the most grueling experiences imaginable. Stephen Lowenstein, a young director himself, with two short films to his credit, has posed the questions that reveal their tales of triumph and disaster. For anyone who wants to direct, these stories will be enlightening and inspiring. For all other film fans, these interviews are an entertaining look at the raw beginnings of directors whose names are now familiar to cinema audiences around the world.

Cast Members in Scene from March of Time Film The Ramparts We Watch About America's Struggle


Cast Members in Scene from March of Time Film The Ramparts We Watch About America’s Struggle


$89.99


Cast Members in Scene from March of Time Film “The Ramparts We Watch” About America’s Struggle – Premium Photographic Print

My First Movie, Take Two :  Ten Celebrated Directors Talk about Their First Film


My First Movie, Take Two : Ten Celebrated Directors Talk about Their First Film


$14.91


Buy My First Movie, Take Two by Stephen Lowenstein in Paperback for the low price of 14.91. Find this product in Performing Arts > Film & Video – Direction & Production, Film & Video – History & Criticism.

Stephen King Films FAQ :  Everything Left to Know about the King of Horror on Film


Stephen King Films FAQ : Everything Left to Know about the King of Horror on Film


$18.65


Buy Stephen King Films FAQ by Scott Von Doviak in Paperback for the low price of 18.65. Find this product in Music > Genres & Styles – Pop Vocal, Film & Video – Reference.

A Short Film About the Indio Nacional Poster Movie French 11 x 17 In - 28cm x 44cm


A Short Film About the Indio Nacional Poster Movie French 11 x 17 In – 28cm x 44cm


$7.99


2005 A Short Film About the Indio Nacional Reproduction Poster Print French Style A – Approximate Size 11 x 17 Inches -28cm x 44cm

Film Noir FAQ :  All That's Left to Know about Hollywood's Golden Age of Dames, Detectives, and Danger


Film Noir FAQ : All That’s Left to Know about Hollywood’s Golden Age of Dames, Detectives, and Danger


$14.48


Buy Film Noir FAQ by David J. Hogan in Paperback for the low price of 14.48. Find this product in Performing Arts > Film & Video – History & Criticism .

The Reel Truth :  Everything You Didn't Know You Need to Know about Making an Independent Film


The Reel Truth : Everything You Didn’t Know You Need to Know about Making an Independent Film


$19


Buy The Reel Truth by Reed Martin in Paperback for the low price of 19.00. Find this product in Performing Arts > Film & Video – Direction & Production, Business Aspects.

Kingdom of the Film Stars: Journey Into Jordan


Kingdom of the Film Stars: Journey Into Jordan


$3.95


Annie Caulfield’s honest and humorous account of her relationship with a Bedouin man unravels some western myths about Jordan and the Arab world.

The Truth about Death and Dying


The Truth about Death and Dying


$22.44


""Yasu was simply crazy. But no crazier than the rest of the war."" Rui Umezawa’s first novel weaves in and out of the lives of three generations of the Hayakawa family, starting during World War II in Japan and ending in present-day Toronto. The story is tragic, hilarious, lyrical and universal, tracing the legacy of war and the past on one family’s fortunes and memories. Film director Atom Egoyan says: "This ambitious debut creates a dense world of overlapping events — from the smallest details of domestic life to the grandest scale of atrocity and horror. Rui Umezawa presents this unique world of cause and effect with a carefully harnessed sense of despair, yearning and beauty." Maimed physically and emotionally, Shoji Hayakawa leaves the devastation of post-war Japan and moves to the University of Milwaukee to teach physics. His father, Yasujiro, was the doctor in the village of Kitagawa, and an outspoken pacifist in dangerous times. Shoji and his wife Mitsuyo still recall their wartime childhood: bartering for food, evacuation to the countryside, returning to the burnt remains of the cities. Transplanted into suburban America, Mitsuyo’s mother will watch life through the windows, marvelling at how absurdly people act even when they have everything they need: food, water, clothes, and no bombs. Shoji has two sons, Toshi and Kei. Toshi is a gentle boy but sees the world with an abnormal intensity. Objects seem to speak to him. He has to lock himself in a closet to concentrate on his homework, and lies face down in the school corridor with his forehead pressed against the cool linoleum to calm himself. Exuberant but noisy, he is stopped from taking piano lessons. He is an embarrassment to his mother and to his angry brother Kei, who leaves for Canada to build a career as a rock musician. Mitsuyo, so demanding of Kei, considers Toshi insane and never expects anything of him. Yet Toshi, full of imagination, finds humour and wonder in the world. "Quill and Quire "called The Truth About Death and Dying an extraordinary first novel that "falls somewhere between Thomas Wolfe and Monty Python." The absurd sense of humour, the unforgettably comic scenes — such as Yasu emerging naked from the bathroom clutching mushrooms, or dancing in the bomb shelter — are inextricably entwined with tragic memories. With the dark shadows of Hiroshima and Nagasaki as well as Pearl Harbor always present, this novel examines how our sense of what is normal and what is crazy can be skewed, especially in times of war. Of the passages that take place in wartime Japan, the author says they "owe most of their details to what was told to me by my parents, and to Japanese movies and comic books set during World War II. I grew up with stories of the war and pacifism, both at home and in the Japanese media. My father was never conscripted to fight, because he excelled so much at science and the government fe

Dream Repairman: Adventures in Film Editing


Dream Repairman: Adventures in Film Editing


$30


Jim Clark’s candid biography tells all about the heyday of film editing when glamorous actors and actresses, directors and producers interacted with the film editor to produce some of the best films ever made.

Virgin Film Comic Book Movies


Virgin Film Comic Book Movies


$3.95


"Comic Book Movies" looks at twenty key titles in detail, covering every stage of hte journey from comic book panel to feature film frame, including development, production, sequels and spin-offs. From the huge success of the "Superman" and "Batman" franchises, to misfires such as "Mystery Men" and "Dick Tracy" and current speculation about future films, the book includes interviews with key creative artists about the development of the movies from the original comics.

American Film Institute's Top 25 Film Scores: Honoring America's Greatest Film Music


American Film Institute’s Top 25 Film Scores: Honoring America’s Greatest Film Music


$13.74


Piano solo arrangements of the best film scores of all time: Star Wars * Gone with the Wind * Lawrence of Arabia * Psycho * The Godfather * Jaws * Laura * The Magnificent Seven * many more. Includes info about the AFI and their selection process.

The Philosophy of Film: Introductory Text and Readings


The Philosophy of Film: Introductory Text and Readings


$49.22


Organized around a series of philosophic questions about film, "The Philosophy of Film: Introductory Text and Readings" offers an accessible and engaging overview of the discipline. Provides thorough selection of readings drawn from philosophy, film studies, and film criticism Multiple points of view highlighted in discussion of film theory, narration, authorship, film and emotion, and the social values of cinema Presents thought-provoking reading questions as well as clear and helpful introductions for each section More information about this text along with further resources are available from the accompanying website at: http: //www.mtholyoke.edu/omc/phil-film/index.html

The Soul of Cinema: An Appreciation of Film Music


The Soul of Cinema: An Appreciation of Film Music


$110.59


Filling a void in the literature on film music appreciation, this volume provides a consolidation of relevant film music with information about film composers and their scores. The volume also features well-illustrated information about each film with a text that clearly illustrates a well-rounded and in-depth look at film music. The reference addresses the functions of film scoring, the operational aspects of the industry, music for silent films, early sound film, the rise of the symphonic film score, the golden age of film music, the age of versatility, new faces enter the ranks and the 21st century. For film and music enthusiasts and others interested in the evolution of music in film.

300 Instant Film Camera & 300 Instant Color Film


300 Instant Film Camera & 300 Instant Color Film


$97.84


Instant is back! The new Polaroid 300 Instant Camera has everything you loved about instant photography back in a fun and one-of-a-kind Polaroid way. With four lighting settings and an auto-flash, your photos will be perfect every time. Take the 300 Instant Camera with you to capture the fun instantly. 300 Instant Color Film – Glossy Finish Picture Size: 2.1″ x 3.4″ Image Size: 1.8″ x 2.4″ Excellent Color Saturation Fine Grain High Sharpness Narrow Exposure Latitude

The Wizard of Oz (BFI Film Classics)


The Wizard of Oz (BFI Film Classics)


$5.49


The Wizard of Oz ‘was my very first literary influence,’ writes Salman Rushdie in his account of the great MGM children’s classic. At the age of ten he had written a story, ‘Over the Rainbow’, about a colourful fantasy world. But for Rushdie The Wizard of Oz is more than a children’s film, and more than a fantasy. It’s a story whose driving force is the inadequacy of adults, in which ‘the weakness of grown-ups forces children to take control of their own destinies’. And Rushdie rejects the conventional view that its fantasy of escape from reality ends with a comforting return to home, sweet home. On the contrary, it is a film that speaks to the exile. The Wizard of Oz shows that imagination can become reality, that there is no such place like home, or rather that the only home is the one we make for ourselves. Rushdie’s brilliant insights into a film more often seen than written about are rounded off with his typically scintillating short story, ‘At the Auction of the Ruby Slippers,’ about the day when Dorothy’s red shoes are knocked down to $15,000 at a sale of MGM props . . . . In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Rushdie looks back to the circumstances in which he wrote the book, when, in the wake of the controversy surrounding The Satanic Verses and the issue of a fatwa against him, the idea of home and exile held a particular resonance.

Zero Patience: A Queer Film Classic


Zero Patience: A Queer Film Classic


$14.54


A Queer Film Classic on John Greyson’s controversial 1993 film musical about the AIDS crisis which combines experimental, camp musical, and documentary aesthetics while refuting the legend of Patient Zero, the male flight attendant accused in Randy Shilts? book "And the Band Played On" of bringing the AIDS crisis to North America. The film features the explorer Sir Richard Francis Burton, who is working as a taxidermist at the Museum of Natural History in Toronto; seeking exhibits for his Hall of Contagion, Burton encounters the ghost of Patient Zero, and together, they set out to try to discover the truth about the origin of AIDS and restore Zero to life. This book provides a guided tour of the film, looking at its engagement with both biomedical and populist discourses around AIDS in its first decade and with the political work undertaken by the queer community to provide support for HIV+ people and treatment for those with AIDS. It also delves into how Greyson, one of the most important figures in New Queer Cinema, combined experimental film aesthetics with a camp take on Hollywood genre films (both musical and horror) and the Canadian documentary film tradition while at the same time responding to Shilts? book and other discourses focused on placing blame for the AIDS crisis on an individual and a community. Arsenal’s Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.

In the Space of a Song: The Uses of Song in Film


In the Space of a Song: The Uses of Song in Film


$39.74


Songs in a film take up space and time and the way that they do so indicates a great deal about the songs themselves, the nature of the feelings they present, and who is allowed to present feelings how, when and where. In the Space of a Song explores this perception through examples ranging from classic MGM musicals to blaxploitation cinema, with the career of Lena Horne providing a turning point in the cultural dynamics of the feeling.

Film Junkie's Guide to North Carolina


Film Junkie’s Guide to North Carolina


$3.95


For most of the last 20 years, North Carolina has ranked third in the nation behind California and New York in U.S. film production. North Carolina also boasts more productions studios and sound stages than any state except California. The idea for a travel guide originated when Connie Nelson wrote an article about movie locations across the state for Reel Carolina Journal, of Film & Video. Years later, Connie was reminded of this interest when visitors, flocked to sites for Dawson’s Creek and other projects filmed in the Wilmington area. She joined forces with Floyd Harris, a fellow alum from Reel Carolina, and the book was born. The 160-plus entries in their guide are arranged geographically and include information about what movies and television series were filmed at each site. The guide also provides information about how to find the locations. The reader-will especially enjoy the "Star Tracks" sections, which provide gossipy tidbits about where stars ate and stayed while making their films. Whether it’s Annie Savoy’s (Susan Sarandon’s) house in Bull Durham, the apartment building where Blue Lady Dorothy Vallens (Isabella Rossellini) lived in Blue Velvet; or the outflow dam where Dr. Richard Kimball (Harrison Ford) escaped from United States marshal Sam Gerard (Tommy Lee Jones) in The Fugitive, this combination travel guide and film history can provide all the details needed to satisfy the most discerning film buff’s lust for trivia.

Film Authorship: Auteurs and Other Myths


Film Authorship: Auteurs and Other Myths


$22.1


Few topics in the study of film produce as much controversy as authorship. Critics, historians, and theoreticians heatedly debate film authors, arguing vociferously about the nature of film authorship and questioning whether films even have authors at all. "Film Authorship" evaluates these debates in a rigorous and accessible manner. Generously illustrated, the book analyzes the historical development and theoretical underpinnings of the concepts of film authorship and the auteur. It then examines recent theories of film authorship and proposes a reconceptualization that grounds the topic firmly in empirical analyses of film production.

Sequences: Intermediate French Through Film


Sequences: Intermediate French Through Film


$3.95


Take your understanding of French language and culture to the next level, with SAQUENCES. With more cultural content than traditional intermediate textbooks, the text’s thematic threads are devoted to mature, interesting topics that intertwine the study of grammar and culture with highly contextualized discussions of specific films and pertinent authentic readings. By exposing you to recent French films, pertinent readings about the films and providing activities that empower you to discover the many facets of French and Francophone life, SAQUENCES improves your communication, grammar and vocabulary skills at the same time

Film, Form, & Culture 1.03 [With CDROM]


Film, Form, & Culture 1.03 [With CDROM]


$20.9


From screen kisses to gender roles, "Film, Form, and Culture" explores the interaction between the movies and the society of which they are a part. Students are introduced to the elements of film – the shot, the cut, the soundtrack – and they are encouraged to think seriously about the means by which these elements shape an audience’s understanding of the narrative. On a larger scale, students are asked to consider how a film can influence its viewer even after the last reel has run out – and the way that societal changes radically alter the course of film history.

The Complete Guide to Literary Sources on Film


The Complete Guide to Literary Sources on Film


$13.44


Filmographer Goble provides up-to-date information on about 100 years of international films (including the silent film era) inspired by previous plays, books, short stories, or poems. He includes not only the acknowledged literary figures, but also the writers of westerns and romance. Three main indexes list information by author, film title, or literary source title. Film details include title, year, director, actors, alternative titles, production/releasing company, film length and country of origin.

43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance


43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance


$28.44


John W. Cones has updated his now classic "43 Ways to" "Finance Your Feature Film: A Comprehensive Analysis of Film Finance "with a substantially reorganized and expanded third edition. An essential reference guide for film professionals on every side of film financing, "43 Ways" answers the question that every filmmaker and producer ultimately faces, the issue that can make or break any venture into the film industry: How do I finance my feature film? The third edition includes updated information and coverage of new options for financing. In his clear and concise style and with expertise amassed over his nearly twenty years of experience in the film finance industry, Cones breaks financing options down into six main areas: gifts and grants, investor financing, domestic government subsidies and tax incentive programs, lender financing, international finance options, and studio or industry financing. Beginning with the forms of financing most likely to be accessible to independent feature film producers, Cones proceeds to other forms that become increasingly available as the producer’s career matures. As an objective adviser, Cones provides specific, concise information regarding the many possible financing strategies and lists the distinct pros and cons of each strategy. This guide covers the options for film financing in rich detail so that even first-time producers and filmmakers will be able to make educated and informed decisions about the best approaches to financing their films. An extensive bibliography contains additional information about each form of film finance. Cones also counters much of the bad advice being provided by pseudoprofessional film finance consultants and points out scams that may separate unwary film producers from their money. Although the book focuses on financing feature films, much of its information is relevant to the financing of other kinds of projects, such as short films, documentaries, videos, and multimedia and theatrical endeavors. Anyone considering making or investing in a feature film will be well served by this practical and helpful guide.

By Design: Interviews with Film Production Designers


By Design: Interviews with Film Production Designers


$44.96


In By Design, twenty prominent feature film designers talk about their careers, their relationships with Hollywood directors, and how they formulated and executed the technical and aesthetic designs of their film projects. The interviews explore production design techniques and the total process of establishing the visual "look" of a feature film, including the design and creation of sets, finding locations, establishing the color scheme or palette of a film, and supervising the costumes, hairstyles, and makeup. The designers discuss in detail their work on many highly acclaimed and seminal works in the field, including North by Northwest, Chinatown, The Godfather, Barry Lyndon, Reds, Amadeus, Brazil, Blade Runner, and The Last Emperor. The interviewees talk about their relationships with the producer, director of photography, art director, construction crew, set decorator, property master, and costume designer, and how the team helps bring the director’s vision to the screen. The interviews are presented in an order that gives the reader a historical perspective on the development of production design, from the studio era to contemporary productions. LoBrutto includes biographical background and a complete filmography of each subject, plus a glossary of terms that concern the design process. By Design investigates the visual style of films in a pragmatic and detailed manner usually overlooked by conventional film analysis, and will prove especially useful to film students and scholars, and all aspiring and experienced producers and directors.

The Literature/Film Reader: Issues of Adaptation


The Literature/Film Reader: Issues of Adaptation


$57.16


From examinations of Francis Ford Coppola’s Apocalypse Now to Alfred Hitchcock’s Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history often a separate category of film study can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.

The Dread of Difference: Gender and the Horror Film


The Dread of Difference: Gender and the Horror Film


$52.74


An undying procession of sons of Dracula and daughters of darkness has animated the horror film genre from the beginning. Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics. The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker’s Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception. Other contributors include Vera Dika, Thomas Doherty, Lucy Fischer, Christopher Sharrett, Vivian Sobchack, Tony Williams, and Robin Wood. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre. The Dread of Difference demonstrates that horror is hardly a uniformly masculine discourse. As these essays persuasively show, not only are horror movies about patriarchy and its fear of the feminine, but they also offer feminist critique and pleasure.

The Monstrous-Feminine: Film, Feminism, Psychoanalysis


The Monstrous-Feminine: Film, Feminism, Psychoanalysis


$43.11


What is it about "Jaws, Alien, Little Shop of Horrors and Poltergeist" that plays on men’s fear of women? And what is it that they fear most? "The Monstrous-Feminine" examines the role of women in horror films. The author argues that when a woman is constructed as monstrous, it is almost always in conjuction with reproduction and mothering functions. In this exploration, using detailed analysis of "Carrie, The Exorcist, Psycho" and "Alien" among others, Creed identifies the seven faces of female monstrosity–archaic mother; monstrous womb; vampire; witch; possessed monster; deadly "femme castratrice" and castrating mother. The argument then moves on to challenge the Freudian concept that a woman terrifies because she is castrated–Creed holds forth that the woman acting as castrat"or" is what creates horror for men. "The" "Monstrous-Feminine" goes on to discuss and analyze what these images mean for feminist film theory, as well as revealing important clues about masculinity.

Film Strip Save the Date Cards


Film Strip Save the Date Cards


$1.7


Created for you by Minted’s global community of designers, our unique Save The Date designs are the perfect way to announce your wedding day. All Save The Dates are printed on luxe paper and are fully customizable.  Don’t have enough room on the front? Add a custom backer or interior to include even more photos and a more detailed message.   If you have any questions or special requests for your Save The Date, let us know how we can help at customerservice@minted.com.

Film Composers Guide: Fourth Edition


Film Composers Guide: Fourth Edition


$7.84


The most complete, reliable and comprehensive reference book about film composers. Includes credits and contact information as well as a cross-referenced index by film titles/composers. Completely updated and revised annually; over 2,500 film composers containing over 23,000 film listings; releasing information, Academy Awards and Nominations, index of agents and managers. The directory contains a section of notable deceased composers and their credits, e.g., Henry Mancini, Bernard Hermann. The new edition includes a greatly expanded soundtrack album section. Great for the industry professional as well as for classical, jazz and new age music lovers.

Reel Spirituality: Theology and Film in Dialogue


Reel Spirituality: Theology and Film in Dialogue


$25.28


Increasingly, thinking Christians are examining the influential role that movies play in our cultural dialogue. Reel Spirituality successfully heightens readers’ sensitivity to the theological truths and statements about the human condition expressed through modern cinema. This second edition cites 200 new movies and encourages readers to ponder movie themes that permeate our culture as well as motion pictures that have demonstrated power to shape our perceptions of everything from relationships and careers to good and evil. Reel Spirituality is the perfect catalyst for dialogue and discipleship among moviegoers, church-based study groups, and religious film and arts groups. The second edition cites an additional 200 movies and includes new film photos.

Reality Transformed: Film and Meaning and Technique


Reality Transformed: Film and Meaning and Technique


$33.42


In "Reality Transformed" Irving Singer offers a new approach to the philosophy of film. Returning to the classical debate between realists and formalists, he shows how the opposing positions may be harmonized and united. Singer concentrates on questions about appearance and reality, the visual and the literary, and the interplay between communication as a goal and alienation as a hazard in films of every sort. In three exemplary chapters, he provides suggestive readings of Woody Allen’s "The Purple Rose of Cairo," Luchino Visconti’s "Death in Venice," and Jean Renoir’s "The Rules of the Game." "Reality Transformed" will interest the general reader as well as students in all fields related to film studies.

Rising Low -- a Film by Mike Gordon


Rising Low — a Film by Mike Gordon


$17.98


Mike Gordon’s film about the recording of The Deep End, the life & loss of Allen Woody, the essence of bass and the bass players Gov’t Mule has collected for The Deep End albums. Rising Low was the winner of the Joe Jarvis Audience Choice Award for Best Documentary at the 2002 Newport International Film Festival. 88 minutes, including options for Dolby Digital 5.1 sound, commentary by the director, a lunchbox of lost footage, and bonus bass player featurettes This is the first time that Dry Goods has made this available. Region 1 only (US & Canada).

The Book of Film Biographies: A Pictorial Guide


The Book of Film Biographies: A Pictorial Guide


$3.95


The entire dazzling story of cinema is told through the life stories of its makers in this biographical encyclopedia. All the glamorous people who lure countless moviegoers to theaters and video stores everywhere are listed. First and foremost are the actors and actresses, the illustrious stars, the screen goddesses and icons no less than the supporting actors and bit players. The directors, producers, writers, and film composers are included as well, and so are the designers, dancers, and animators. Each has her or his concise entry of about 150 words, the highlights from each career accompanied by a photograph, many of which are in full color. The Filmfinder makes picking a movie to rent easy. This is an indispensable reference guide for the bookshelf of every film lover.

 A Zoo of Lust...a Harem of Fondled Hatreds: An Historical Interrogation of Sexual Violence Against Women in Film


A Zoo of Lust…a Harem of Fondled Hatreds: An Historical Interrogation of Sexual Violence Against Women in Film


$49.54


New – “A Zoo of Lusts…A Harem of Fondled Hatred: A Historical Interrogation of Sexual Violence against Women in Film” explores the pernicious nature of rape in films from the silent era to the 21st century. This book addresses three major questions: why does rape persist as a recurring theme in film, how is this subject manifested in film and what does this manifestation say about the act of rape itself, its victims, its perpetrators and our culture? Rape is a sexual manifestation of aggressio

 A Zoo of Lust...a Harem of Fondled Hatreds: An Historical Interrogation of Sexual Violence Against Women in Film


A Zoo of Lust…a Harem of Fondled Hatreds: An Historical Interrogation of Sexual Violence Against Women in Film


$73.69


New – “A Zoo of Lusts…A Harem of Fondled Hatred: A Historical Interrogation of Sexual Violence against Women in Film” explores the pernicious nature of rape in films from the silent era to the 21st century. This book addresses three major questions: why does rape persist as a recurring theme in film, how is this subject manifested in film and what does this manifestation say about the act of rape itself, its victims, its perpetrators and our culture? Rape is a sexual manifestation of aggressio

 Bits & Pieces and the Aesthetic Value of the Fragment in Modernity


Bits & Pieces and the Aesthetic Value of the Fragment in Modernity


$75.67


New – Peter Delpeut, filmmaker and former deputy-director of the Nederlands Filmmuseum (now known as Eye Film Instituut Nederland) argues that in every profession there are topics that remain unspoken. They are not willingly kept secret: we are simply unable to speak about them. Within the domain of film preservation, the film fragment is one of these unspeakable matters. And yet film fragments, often unidentified or decaying, populate archives in great quantities. Since 1990, a unique case in t

 Bits & Pieces and the Aesthetic Value of the Fragment in Modernity


Bits & Pieces and the Aesthetic Value of the Fragment in Modernity


$50.54


New – Peter Delpeut, filmmaker and former deputy-director of the Nederlands Filmmuseum (now known as Eye Film Instituut Nederland) argues that in every profession there are topics that remain unspoken. They are not willingly kept secret: we are simply unable to speak about them. Within the domain of film preservation, the film fragment is one of these unspeakable matters. And yet film fragments, often unidentified or decaying, populate archives in great quantities. Since 1990, a unique case in t

 Blair Witch Project: A Dossier


Blair Witch Project: A Dossier


$10.39


New – Many dubbed “The Blair Witch Project” as the most frightening film they had ever seen. The text is a dossier containing newspaper cuttings about the students’ dissappearance, police notes, notes found with the film and extracts from their journal.

 Blair Witch Project: A Dossier


Blair Witch Project: A Dossier


$9.99


New – Many dubbed “The Blair Witch Project” as the most frightening film they had ever seen. The text is a dossier containing newspaper cuttings about the students’ dissappearance, police notes, notes found with the film and extracts from their journal.

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$135.15


New – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$0.61


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$0.99


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$0.6


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$1.99


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$10.99


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$1.99


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$87.41


New – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$54.15


New – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$10.99


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$0.61


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$0.61


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$81.75


New – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘

 Dad's Army: The Making of a Television Legend


Dad’s Army: The Making of a Television Legend


$0.61


Used – Published to coincide with the 30th annivers ary of the transmission of the first episode of Dad”s Army, this book is a gazeteer of all 80 episodes, as well as chapt ers about the film, the play and the radio series. ‘
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